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The Invisible Circus (2001)
Tomatometer
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Reviews Counted:60
Fresh:13
Rotten:47
Average Rating:4.1/10
Consensus: Despite Jordana Brewster's strong performance, The Invisible Circus lacks the necessary dramatic tension to be interesting. Also, the cultural and political contexts of the period are barely explored.
Synopsis: In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69,... In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69, when radical hippie Faith O'Connor (Cameron Diaz), and her English boyfriend Wolf (Christopher Eccleston) take off for Europe, feeling that they will change the world for the positive. Faith diligently writes postcards to her younger sister Phoebe (Jordana Brewster). When they suddenly stop, the next Faith's family hears of her is that her body has been found at the bottom of a cliff outside a tiny Portuguese fishing village, the victim of an apparent suicide. Seven years later, Phoebe, a haunted, introverted teenager, still doesn't believe her adventurous, life-loving sister would have taken her own life so, against the wishes of her protective mother (Blythe Danner), Phoebe decides to retrace Faith's journey across Europe, using the postcards she had received from Faith as her only clues to a growing mystery. From a houseboat in Amsterdam to a flat in Paris, Phoebe follows Faith's footsteps right to the end. Along the way, she finds Wolf married and settled into a life of bourgeois complacency, one of the many twists in this chilling, engaging story. [More]
Starring: Jordana Brewster, Christopher Eccleston, Cameron Diaz, Patrick Bergin
Starring: Jordana Brewster, Christopher Eccleston, Cameron Diaz, Patrick Bergin, Camilla Belle, Blythe Danner
Director: Adam Brooks
Director: Adam Brooks
Screenwriter: Adam Brooks
Composer: Nick Laird-Clowes
Studio: New Line Cinema
Reviews for The Invisible Circus
Brooks tries to cram too much into his scenes, combining both the film's external world and characters' inner thoughts in a way that is cluttered and lacking in imagination.
For fans of any of the performers involved, it should be a must-see.
A credible portrait of an era, and draws in its tensions and conflicts with quite some power.
The low energy level ... keeps The Invisible Circus from fulfilling the potential of its interesting characters and theme.
When flashbacks tease us with bits of information, it has to be done well, or we feel toyed with. Here the mystery is solved by stomping in thick-soled narrative boots through the squishy marsh of contrivance.
Everything must pass through the filter of Phoebe, who is basically inexpressive and unlikable.
Brewster has us caught up in her adventure, making us empathize with her conflicts and compulsions.
Adam Brooks' film is a total miss, both as a potentially intriguing look into the tumultuous politics of the 1960s and 1970s and as a coming of age of a girl obsessed with her sister's mysterious death
Cameron Diaz and Christopher Eccleston? Good. Jordana Brewster? Actorly indication, stilted line readings and nostril-flaring petulance. The result? A bad day at the Circus.
Though the script is remarkably faithful to Jennifer Egan's novel, it relies too heavily on voice-over to move the plot along, preferring to baldly inform the audience of developments than letting us figure them out for ourselves.
The Invisible Circus embraces many of the themes of these and other films, but, as adrift as its two sister heroines, refuses to settle upon what it is really about.
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