In adapting Jennifer Egan's first novel, writer-turned-director Adam Brooks has mined just about every sixties cliché imaginable.
The Invisible Circus (2001)
Tomatometer
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Reviews Counted:60
Fresh:13
Rotten:47
Average Rating:4.1/10
Consensus: Despite Jordana Brewster's strong performance, The Invisible Circus lacks the necessary dramatic tension to be interesting. Also, the cultural and political contexts of the period are barely explored.
Synopsis: In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69,... In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69, when radical hippie Faith O'Connor (Cameron Diaz), and her English boyfriend Wolf (Christopher Eccleston) take off for Europe, feeling that they will change the world for the positive. Faith diligently writes postcards to her younger sister Phoebe (Jordana Brewster). When they suddenly stop, the next Faith's family hears of her is that her body has been found at the bottom of a cliff outside a tiny Portuguese fishing village, the victim of an apparent suicide. Seven years later, Phoebe, a haunted, introverted teenager, still doesn't believe her adventurous, life-loving sister would have taken her own life so, against the wishes of her protective mother (Blythe Danner), Phoebe decides to retrace Faith's journey across Europe, using the postcards she had received from Faith as her only clues to a growing mystery. From a houseboat in Amsterdam to a flat in Paris, Phoebe follows Faith's footsteps right to the end. Along the way, she finds Wolf married and settled into a life of bourgeois complacency, one of the many twists in this chilling, engaging story. [More]
Starring: Jordana Brewster, Christopher Eccleston, Cameron Diaz, Patrick Bergin
Starring: Jordana Brewster, Christopher Eccleston, Cameron Diaz, Patrick Bergin, Camilla Belle, Blythe Danner
Director: Adam Brooks
Director: Adam Brooks
Screenwriter: Adam Brooks
Composer: Nick Laird-Clowes
Studio: New Line Cinema
Reviews for The Invisible Circus
A weak coming-of-age story, an unintriguing mystery, a flaccid romance, and period piece that barely evokes its period.
One more failed attempt to make a definitive statement about that indefinable revolution-in-consciousness that was the 1960s.
The Invisible Circus ... doesn't so much illuminate Phoebe's confusion as share it.
Another murky film about the 1970s that's watchable mostly for its cast rather than the story.
You should pay nine bucks to see this if: you're a hard-core Cameron Diaz fan.
This sort of material probably would fare better in the hands of an inexperienced novelist -- who has more of an opportunity to explore inner states -- than an inexperienced filmmaker.
The Invisible Circus remains true to its title, difficult to see the point of or enjoy.
When flashbacks tease us with bits of information, it has to be done well, or we feel toyed with. Here the mystery is solved by stomping in thick-soled narrative boots through the squishy marsh of contrivance.
Movies that attempt to resurrect the spirit of the 1960s and explain 'what went wrong,' almost always implode from the weight of their own pretensions.
Mostly through Brewster's central, focusing performance, it brings back the time of youth gone mad with possibility.
It's Diaz's movie as she tramps in and out of various flashbacks. She really sparkles.
Everything must pass through the filter of Phoebe, who is basically inexpressive and unlikable.
The low energy level ... keeps The Invisible Circus from fulfilling the potential of its interesting characters and theme.
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