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The Kite Runner (2007)
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Reviews Counted:167
Fresh:110
Rotten:57
Average Rating:6.5/10
Consensus: Despite some fine performances, The Kite Runner is just shy of rendering the magic of the novel on to the big screen.
Runtime: 2 hrs 7 mins 51 secs
Genre: Dramas
US Box Office: $15,690,103
Synopsis: Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan... Based on the international bestseller by Khaled Hosseini, THE KITE RUNNER is a fascinating historical epic set in 20th-century Afghanistan. In 1978, Amir (Zekiria Ebrahimi) and Hassan (Ahmad Khan Mahmoodzada) are young boys living in Kabul, where Hassan and his father, Ali (Nabi Tanha), work as servants for Amir and his father, Baba (Homayoun Ershadi). Amir and Hassan make an excellent team in kite competitions, with Hassan having a gift for running down kites, but after one contest, he is bullied by Assef (Elham Ehsas), who does unspeakable things to him as Amir watches from a distance and then runs away, not helping his friend. As the Russians and then the Taliban take over Afghanistan, Baba and Amir escape to America, where they make a new home in San Francisco. But even as he graduates from college and meets a beautiful young woman, Soraya (Atossa Leoni), who is also from Kabul, Amir (now played by Khalid Abdalla) is haunted by his cowardice and can't turn down an opportunity to try to make things right when it is offered by his father's old friend Rahim Khan (Shaun Toub)--even if it means risking his life. THE KITE RUNNER was adapted for the screen by David Benioff (THE 25TH HOUR), with much of the dialogue spoken in Dari, one of the primary languages in Afghanistan. Director Marc Foster (MONSTER'S BALL, FINDING NEVERLAND) does a deft job navigating the complicated story, which moves from Afghanistan to San Francisco and Pakistan (with much of the film actually shot in China), using many nonprofessional actors and a subtle score composed by Alberto Iglesias. Ebrahimi and Mahmoodzada make impressive debuts, with solid work by Abddalla, Leoni, and especially Ershadi. [More]
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni
Starring: Khalid Abdalla, Homayoun Ershadi, Shaun Toub, Atossa Leoni, Said Tashimaoui, Ahmad Khan Mahmidzada
Director: Marc Forster
Director: Marc Forster
Screenwriter: David Benioff
Producer: William Horberg, Walter Parkes, Rebecca Yeldham, E. Bennett Walsh
Composer: Alberto Iglesias
Studio: Paramount Vantage
Reviews for The Kite Runner
The narrative is a tapestry entwined from personal and political threads; the result is emotionally overwhelming
Some plot turns in The Kite Runner feel predictable and contrived, but there's nothing false about the film's overall redemptive flight.
A positive and uplifting story about the kind of interpersonal loyalty that not even a terrorist organization can destroy.
Everything good about the book has been removed from the film, and everything trite and unconvincing in the book has been left as the core of the drama.
Forster's self-important direction submarines a film that begins well, but slips into melodrama and plods towards anti-climax.
A skilfully made and subtly powerful film, with a disarmingly human protagonist whose efforts seem all the more real, given his weaknesses and the movie's authentic feel.
A dark tale of gnawing lament and an all-consuming yearning to atone for lifelong shortcomings.
The Kite Runner is a curiosity in that it is a film driven almost entirely by its story, to the point that all the actors - save the fiercely patriarchal Homayoun Ershadi as Amir's father- seem purely functional, if not negligible.
If nothing else, though, The Kite Runner does succeed in providing a vibrant window into a region of the world we might not have known and might have felt daunted to seek out.
The Kite Runner is a film that both soars like its kite metaphor on the air currents of good storytelling, and falls to earth when its credibility is cut out from under it.
An example of how good intentions don’t necessarily make for a good movie.
It's okay to be manipulated so long as you don't feel the strings being pulled. Here the tug is constant, and constantly distracting.
Director Forster always works wonders with children. It's what made Finding Neverland a near-classic. It's what redeems the intermittent obviousness and flatness of this film about escaping an unforgiving fatherland.
The film has its moments of purity and at times they are exquisite (they almost seem accidental in their innocence), but it is the story and its ultimate disingenuousness that overturns the cart.
Moments feel disappointingly scripted, so it's especially good news that many of its characters do not.
Whilst some of the vivid detail in Khalid Hosseini's best-selling novel does get lost in translation, director Marc Forster hits all the emotional high notes.
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