If I keep seeing films this good, all the time, with nary a bad film, then I will cease to function as a critic, lose my cruelty and my respect for the great films, like Kundun, and then I'll really be unable to do my job.
Kundun (1997)
Tomatometer
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Reviews Counted:52
Fresh:39
Rotten:13
Average Rating:7.3/10
Synopsis: Martin Scorsese's telling of the life story of the 14th Dalai Lama is a spiritual and deeply moving event. Barely able to walk, the young Tenzin Gyatso (played respectively by Tulku Jamyang Kung... Martin Scorsese's telling of the life story of the 14th Dalai Lama is a spiritual and deeply moving event. Barely able to walk, the young Tenzin Gyatso (played respectively by Tulku Jamyang Kung Tenzin, Gyurme Tethong, and Tenzin Thuthob Tsarong) is identified as the newly reincarnated form of His Holiness the Dalai Lama. Leaving his family behind in order to live in a monastery, he grows to manhood in spiritual isolation, sheltered from the influences of Western worldliness and the dangerous encroachment of the Chinese army, which invaded Tibet in 1950 and forced the Buddhist leaders into exile. Preaching peace and understanding among all people, the Dalai Lama eventually travels to China to meet Chairman Mao Tse Tung, to no avail. In a heartbreaking decision, the Dalai Lama must choose whether to remain in Tibet and fight for his people or flee his homeland and avert almost certain death. Scorsese's obvious affection and dedication to the Tibetan leader shines through in every frame of the picture, which features stellar performances by its mostly nonprofessional cast. Adding infinite depth to the story are Roger Deakins's cinematography and Philip Glass's score, which earned both men Oscar nominations. Politics and religion aside, KUNDUN is filmmaking at its most profound and beautiful. [More]
Starring: Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tencho Gyalpo
Starring: Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tencho Gyalpo, Tenzin Topjar, Tsewang Migyur Khangsar, Tenzin Lodoe, Tenzin Lhamo, Geshi Yeshi Gyatso, Lobsang Gyatso, Sonam Phuntsok, Gyatso Lukhang, Lobsang Samten, Tsewang Jigme Tsarong, Tenzin Trinley, Ngawang Dorjee, Phintso Thonden, Chewang Tsering Ngokhang, Jamyang Tenzin, Tashi Dhondup, Jampa Lungtok, Karma Wangchuck, Ben Wang, Kim Chan, Henry Yuk, Ngawang Kaldan, Ngwang Wangda, Robert Lin, Selden Kunga, John Wong, Gawa Youngdung, Tenzin Rampa, Vyas Anathakrishnan
Director: Martin Scorsese
Director: Martin Scorsese
Screenwriter: Melissa Mathison
Producer: Barbara De Fina
Composer: Philip Glass
Reviews for Kundun
Kundun is ceaselessly lovely to look at. But it is also exquisitely, meticulously, intently (gulp) ... dull.
The material deserved much better treatment than it receives in this shallow drama, which plays out more like a bunch of pretty-looking but empty snapshots than a feature film.
Throughout the film cause and effect, the mainspring of most narratives, is replaced by a sense of spiritual synchronicity.
The end result might be beautiful, but it is distant and slow. It's like looking at an exquisite flower...from a hundred yards away...for over two hours straight.
Kundun is a magical film, bursting with unforgettable images and a color palette so heavily drenched in golds and reds that after it's over you feel as though you've just emerged from some riotously colored fever dream.
Stunning, odd, glorious, calm and sensationally absorbing, director Martin Scorsese's Kundun is a remarkable piece of work with vital colors and a wrenching message.
Often staggeringly beautiful, but the film is ultimately waylaid by a curious blend of epic stasis and strained social uplift.
For a commanding drama about the tribulations of Tibet through the eyes of her benevolent leader, Kundun is the way to go.
This quiet, meditative gallery of pictures may be [Scorsese's] most radical, trangressive film in years.
I admire Kundun for being so unreservedly committed to its vision, for being willing to cut loose from audience expectations and follow its heart.
Scorsese's regular team, including production designer Dante Ferretti, turns Moroccan locations into a splendid backdrop for the Dalai Lama's life. It's what happens in front of that backdrop which may cause you do drop back in your seat and grab a nap.
In imagining an exalted Buddhist version of a personal road not taken, Mr. Scorsese has made a film that is as much a prayer as it is a movie.
As I watched the minutia of the young Dalai Lama's life -- feeding the fish, learning geography, buying sheep and watching the rats in the palace, I began to miss The Postman.
Latest News for Kundun
April 27, 2008:
RT interview: Roger Deakins on No Country for Old Men
Cinematographer, Roger Deakins, comes out from behind the lens to discuss his long time collaboration with the Coen brothers and No Country for Old Men. More...
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