Bernardo Bertolucci's cinematic biography of Emperor Pu Yi is an astonishing, ravishing and smashing film... And it's a glorious production which won 9 Oscars - that's every major category for which it is eligible
The Last Emperor (1987)
Tomatometer
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Reviews Counted:43
Fresh:39
Rotten:4
Average Rating:7.9/10
Consensus: While decidedly imperfect, Bernardo Bertolucci's epic is still a feast for the eyes.
Synopsis: Although it is 160 minutes long and shot with breathtaking scope and sumptuousness, Bernardo Bertolucci's film is a story about claustrophobia. Pu Yi, the Manchurian emperor of China who ascended... Although it is 160 minutes long and shot with breathtaking scope and sumptuousness, Bernardo Bertolucci's film is a story about claustrophobia. Pu Yi, the Manchurian emperor of China who ascended the throne in 1908 at the age of three, is a prisoner in the palace he rules over. Outside, real power changes hands with each coup d'etat. Pu Yi grows to manhood, is tutored by a Westerner (Peter O'Toole), and marries a gorgeous princess (Joan Chen). However, the adult Pu Yi (John Lone) is destined for a communist reeducation camp when the war is over. From start to finish, Pu Yi is a passive antihero who can never come to grips with the idea that the absolute power conferred on him as a child was only a mirage. The mistakes Pu Yi made trying to realize that power, especially collaborating with the Japanese during the war, provide Bertolucci with the chance to explore his familiar theme of collaboration and its moral consequences (as he did in THE CONFORMIST and 1900). In the end, Pu Yi seems to have reached a kind of peace, and the terrible waste of a special man's life disappears into a drab, grey-clad Beijing. [More]
Starring: John Lone, Joan Chen, Peter O'Toole, Dennis Dun
Starring: John Lone, Joan Chen, Peter O'Toole, Dennis Dun, Victor Wong, Ryuichi Sakamoto, Cary-Hiroyuki Tagawa
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
Screenwriter: Mark Peploe
Reviews for The Last Emperor
While it is a long film with slower moments, the parallel personal and political stories are compelling enough to keep the viewer interested throughout.
Storaro's photography, Scarfiotti's designs and the locations seduce us into this leisurely odyssey covering 50 years from Emperor Pu Yi's accession aged three to his end.
It's a tribute to the film's intelligence and its feeling for dialectics that it views both the Forbidden City and the detention center as prisons, and that when Pu Yi winds up as a gardener there's a sense of gain as well as loss.
Everything involving the life of Pu Yi was a waste. Everything except one thing: the notion that a single human life could have infinite value.
The best I can say for it is that it is a smart epic, and I think it will age very well.
That rare breed of film that is both pure Oscar bait and a thoroughly compelling work.
...a big, beautiful film that suffers only from an indifferent transfer to DVD. ...its human drama and sheer spectacle manage to catch and hold our attention.
The grand spectacle of life in the Forbidden City (where scenes were actually filmed) is the movie's unforgettable centerpiece.
Though boasting stunning photography by Vittorio Storaro (who shot in the Forbidden City), Bertolucci's beautifully crafted saga suffers from episodic text, incoherent story, and lack of truly epic hero at its center.
The small screen doesn't quite do justice to the rich visuals but with an incredible story and fine performances, it is still a compulsive and moving epic.
We never question the integrity of the historical moment in the film, but we do question our patience.
Bertolucci's gorgeous and seductive The Last Emperor imbues this powerless and constantly thwarted figure with a resolute if melancholy grace.
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