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The Last Movie (1971)
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Reviews Counted:5
Fresh:4
Rotten:1
Average Rating:6.4/10
Synopsis: The talented screenwriter Stewart Stern (REBEL WITHOUT A CAUSE, which featured an early performance by Dennis Hopper) is credited with the screenplay for this bizarre film that followed Hopper's... The talented screenwriter Stewart Stern (REBEL WITHOUT A CAUSE, which featured an early performance by Dennis Hopper) is credited with the screenplay for this bizarre film that followed Hopper's success with EASY RIDER. When a film shooting in a Peruvian mountain village shuts down production because of the death of one of the actors, stuntman Kansas (Hopper) chooses to stay behind with his lover, Maria (Stella Garcia), a local prostitute, and hopefully build a hotel. The villagers have been deeply affected by the shooting of the violent Western they've been observing and decide to make their own movie. Lacking equipment, they build their own, out of bamboo, and begin to reenact scenes from the Western. However, they haven't grasped the concept of the pulled punch, and things that are supposed to happen just on film actually occur in actuality. The film will be enjoyed by Hopper cultists while others will find it curiously strange and bizarre, but it serves as a reminder that he has a better eye for impressive painterly compositions than most directors. [More]
Starring: Dennis Hopper, Peter Fonda, Kris Kristofferson, Michelle Phillips
Starring: Dennis Hopper, Peter Fonda, Kris Kristofferson, Michelle Phillips, Dean Stockwell, Sylvia Miles, Julie Adams, Russ Tamblyn, Rod Cameron
Director: Dennis Hopper
Director: Dennis Hopper
Producer: Paul Lewis
Composer: Kris Kristofferson, Severn Darden, John Buck Wilkin, Chabuca Granda
Reviews for The Last Movie
The allegory attempted was so bizarre and unlike any Hollywood venture, that it's worth checking out for all the potential it had but never realized.
One of the craziest (and druggiest) movies ever made, it's also blatantly self-deconstructing and meta to the max, albeit produced years before those terms became commonplace.
My mind had a good deal of trouble tolerating the inflated pretensions of Hopper, who, it's now apparent, is gifted with all of the insights of a weekend mystic who drives to and from his retreat in a Jaguar.
No other studio-released film of the period is quite so formally audacious.
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