Last Night (1998)

The film has a kind of airless, artificial quality that made it seem much longer than it actually was.

For all its wry humor, it concludes as a heart-piercing affirmation of life and love in the face of death.

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While it lacks the tension and panic of a similar film, Miracle Mile, [it] boasts a cast of intriguing characters in an equally intriguing (though unlikely) scenario.

It's the End of The World as We Know It, and this crafty Canadian film chronicles the end times in smart, snappy fashion.

McKellar is a good storyteller, and he demonstrates a clever -- albeit dark -- sense of humor. But much of it goes for naught because of the movie's sterile patina.

Last Night succeeds where so many other films have failed because it concentrates on the element that its predecessors have ignored: the human factor.