McElhone and Bale are more overt, acting mostly with rigid faces, tousled hair and at least 64 shiny, well-displayed teeth.
Laurel Canyon (2003)
Tomatometer
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Reviews Counted:107
Fresh:72
Rotten:35
Average Rating:6.4/10
Consensus: Though the movie itself is flawed, McDormand is fantastic as Jane.
Runtime: 1 hr 41 mins
Genre: Dramas
US Box Office: $3,596,939
Synopsis: Laurel Canyon is a street that runs through the heart of the Hollywood Hills, joining the middle-class, stolid environs of the San Fernando Valley to the heart of the city of Los Angeles. The... Laurel Canyon is a street that runs through the heart of the Hollywood Hills, joining the middle-class, stolid environs of the San Fernando Valley to the heart of the city of Los Angeles. The canyon is notable for its varied residents through the years and has served, and continues to, as the home to many rock stars, musicians, performers, producers, and the like. Among its current residents are Jane (Frances McDormand), a legendary record producer, currently producing an album for a British band whose lead singer Ian (Allesandro Nivola) is her much younger lover. Jane and the band are creating the album in her Laurel Canyon house where she has a recording studio. Jane’s son Sam (Christian Bale) and his fiancée Alex (Kate Beckinsale) are both recent graduates of Harvard medical school. Conservative, solid and serious, the couple find it necessary to move to Los Angeles to complete their studies: Sam is completing his Residency at the renowned Hausman Neuropsychiatric Institute, while Alex is intent on completing her dissertation on Drosophilia Genomics. Jane has offered her Laurel Canyon home for them to stay in, promising that it will be vacant. But when Sam and Alex arrive Jane and the Band are still working in Jane’s home recording studio to complete the album. Sam and Alex begrudgingly stay at Jane’s house until they can find an alternative place to live. Once in the house, however, things begin to slowly unravel. Alex’s attraction to Jane’s and Ian’s freewheeling lifestyle and Sam’s hesitancy about renewing a relationship with his wayward mother as well as his growing attraction to fellow medical resident Sara (Natascha McElhone) slowly fill the house with tension and doubt... -- © 2002 Sony Pictures Classics [More]
Starring: Frances McDormand, Christian Bale, Kate Beckinsale, Natascha McElhone
Starring: Frances McDormand, Christian Bale, Kate Beckinsale, Natascha McElhone, Alessandro Nivola, Melissa De Sousa
Director: Lisa Cholodenko
Director: Lisa Cholodenko
Screenwriter: Lisa Cholodenko
Producer: Susan A. Stover, Jeff Levy-Hinte
Composer: Craig Wedren
Studio: Sony Pictures Classics
Reviews for Laurel Canyon
From the choice of L.A.’s musical bohemia to finding the right tension in each scene, director Lisa Cholodenko has hit another home run.
With vocal inflections and a caring glance, McDormand rescues the mother-son dynamic that twists through Canyon like the famed Mulholland Drive.
Interesting and distinctive but held back from greatness by forcing complex characters through tidy character arcs.
An enjoyable little film about fidelity and intimacy among different generations. Worth seeing just for McDormand's performance.
Laurel Canyon telegraphs far too much of its unoriginal story to genuinely hold our interest. We find ourselves wishing we could leave these characters nattering in the living room and wander around the house looking at the souvenirs and photographs. We’r
How far can you follow the psychosexual exploits of folks you aren't all that drawn to in the first place?
Cholodenko has made a huge mistake in casting Bale and Beckinsale as her leads. While their blandness seems to be appropriate for the characters they're played, neither is very interesting.
By the time Laurel Canyon closes, we’re left with a number of dangling subplots, lots of questions and two hideously unbelievable reconciliations.
Just when you thought the "La-La Land" cliche ... had been done to death, along comes the indie-film variation in Laurel Canyon.
It's a half-step backward for Cholodenko, whose latest film has none of the tenderness or fresh insight about relationships and sexual ambiguity of High Art.
McDormand plays the exact opposite of her role in Almost Famous, and darned if she isn't just as terrific.
It's an earnest, grown-up drama with some strong points, and it's extraordinarily well-acted.
Fizzles out in the third act, but we're long past caring. By then, Frances McDormand has usurped the movie and turned it into a lesson in character acting.
Latest News for Laurel Canyon
October 19, 2006:
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