McDormand and Bale are gods, of course, but the real delight here is Nivola.
Laurel Canyon (2003)
Tomatometer
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Reviews Counted:107
Fresh:72
Rotten:35
Average Rating:6.4/10
Consensus: Though the movie itself is flawed, McDormand is fantastic as Jane.
Runtime: 1 hr 41 mins
Genre: Dramas
US Box Office: $3,596,939
Synopsis: Laurel Canyon is a street that runs through the heart of the Hollywood Hills, joining the middle-class, stolid environs of the San Fernando Valley to the heart of the city of Los Angeles. The... Laurel Canyon is a street that runs through the heart of the Hollywood Hills, joining the middle-class, stolid environs of the San Fernando Valley to the heart of the city of Los Angeles. The canyon is notable for its varied residents through the years and has served, and continues to, as the home to many rock stars, musicians, performers, producers, and the like. Among its current residents are Jane (Frances McDormand), a legendary record producer, currently producing an album for a British band whose lead singer Ian (Allesandro Nivola) is her much younger lover. Jane and the band are creating the album in her Laurel Canyon house where she has a recording studio. Jane’s son Sam (Christian Bale) and his fiancée Alex (Kate Beckinsale) are both recent graduates of Harvard medical school. Conservative, solid and serious, the couple find it necessary to move to Los Angeles to complete their studies: Sam is completing his Residency at the renowned Hausman Neuropsychiatric Institute, while Alex is intent on completing her dissertation on Drosophilia Genomics. Jane has offered her Laurel Canyon home for them to stay in, promising that it will be vacant. But when Sam and Alex arrive Jane and the Band are still working in Jane’s home recording studio to complete the album. Sam and Alex begrudgingly stay at Jane’s house until they can find an alternative place to live. Once in the house, however, things begin to slowly unravel. Alex’s attraction to Jane’s and Ian’s freewheeling lifestyle and Sam’s hesitancy about renewing a relationship with his wayward mother as well as his growing attraction to fellow medical resident Sara (Natascha McElhone) slowly fill the house with tension and doubt... -- © 2002 Sony Pictures Classics [More]
Starring: Frances McDormand, Christian Bale, Kate Beckinsale, Natascha McElhone
Starring: Frances McDormand, Christian Bale, Kate Beckinsale, Natascha McElhone, Alessandro Nivola, Melissa De Sousa
Director: Lisa Cholodenko
Director: Lisa Cholodenko
Screenwriter: Lisa Cholodenko
Producer: Susan A. Stover, Jeff Levy-Hinte
Composer: Craig Wedren
Studio: Sony Pictures Classics
Reviews for Laurel Canyon
Cholodenko has an extraordinarily assured hand; the subtle and detailed touches with which she sets each scene force you to take her characters seriously, no matter how superficial and contrived their plight.
Laurel Canyon isn’t about philandering but it’s about something just as real: emotional drift. The film captures with razor precision the subatomic electric spark between two people who are feeling and fighting an attraction to one another.
Laurel Canyon explores how the love of a serious and sober couple is challenged by the hedonistic sexuality of those they encounter in this California community.
Laurel Canyon is neither profound or particularly insightful about the Mephistophelean bargain that success in show business often represents. But it is also never dull, riding along on McDormand's blazing performance.
McDormand seems to know how to get the most out of the smoggy material, giving one of her most natural and appealing characterizations.
[McDormand] makes both the character and her Laurel Canyon sanctuary feel genuinely lived.
McDormand's powerhouse performance alone compensates for many minor deficiencies.
All the performances are strong, but McDormand, Bale and Nivola's are most powerful.
The devices that run this strained comedy are as shallow as some of the residents in the titular Hollywood neighborhood.
It's worth a visit if you want to check out the latest emotional vibes emanating from the Hollywood Hills.
Cholodenko ... takes the scenario beyond cliché by creating a raft of fully fledged characters and giving the tale a generational twist.
Laurel Canyon may be more a vibe than a movie. And that's precisely its power.
It reminds of what Cholodenko is capable--and of the promise that she might get there again.
Although the film occasionally feels a bit forced or manipulative, it never loses its overall sense of credibility. Frances Mcdormand is simply great as Jane, and as usual never disappoints
It reconfirms the filmmaker's talent as an acutely observant chronicler of upscale bohemian subcultures.
There wasn't a moment in the film that I didn't enjoy, but neither was there anything that got my mind or heart racing.
One of Cholodenko's strengths here is in her casting, particularly that of McDormand and Nivola.
It has power above and below the waist, and proves that not all the navels in L.A. are in the oranges.
What rescues this situation from the formulaic banality it seems to be headed toward is the seriousness with which the filmmakers take the actual work being done by the various characters.
Latest News for Laurel Canyon
October 19, 2006:
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