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The Libertine (2005)
Runtime: 1 hr 54 mins
Theatrical Release: Nov 25, 2005 Limited
Box Office: $4,756,532
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past.... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Genre: Dramas
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis
DVD Info
Release:
Jul 4, 2006
DVD Features:
- Keep Case
- Widescreen
Audio:
- (unspecified) - English
Reviews
The performances are impeccable, but what might have been a handsome period drama, is compromised by a drawn out screenplay and over-stylised grainy production ... this dark tale of excess is pure theatre.
A difficult film to watch, but one that speaks to our own invidious world.
[Director] Dunmore creates a memorably grimy London, but the moral grime covering the film proves less memorable.
Mesmo em filmes irregulares como este, Johnny Depp é sempre capaz de despertar o interesse do espectador.
Historical accuracy is a liability instead of an asset in this painfully exact recreation of 1670s London . . .
This ugly creation uses graphic sex, bad hygiene, mud, diseased features and Depp wetting his pants (we get to see the puddle) to illustrate the perils of hedonism.
...the subject matter and marginal execution make it a hard sell to all but the most ardent fans of Depp, who treats The Libertine as a personal acting workshop.
Newcomer director Laurence Dunmore does not show the experience necessary to pull off this period piece and lets Depp's performance fall by the wayside
"The Libertine" in question here is John Wilmot, Earl of Rochester, a poet and member of the Reformation court of King Charles II.
...had Wilmot not actually existed he could have been imagined by Jean Genet.
If you thought Depp went overboard with his Keith Richards impression in Pirates of the Caribbean, here he goes whole hog into the sty.
The story's familiarity doesn't reward its gloom, but it's lifted by an amazing performance.
Wilmot is so thoroughly committed to being so awful that his debauchery has a kind of purity about it.
The filmmakers would rather sentimentalize their debauched hero than convince us there was insight in his cynicism or artfulness in his obscene verse.
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