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Movies / On DVD / The Long Voyage Home
The Long Voyage Home

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The Long Voyage Home (1940)

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Reviews Counted: 6

Fresh: 6

Rotten:0

Average Rating: 8.5/10

Runtime: 1 hr 46 mins

Genre: Dramas

Synopsis: John Ford distills a quartet of plays from the early career of Eugene O'Neill--BOUND EAST FOR CARDIFF, THE LONG VOYAGE HOME, THE ZONE, and THE MOON OF THE CARIBEES--into a stark, fatalistic group portrait of lonely seafaring men. During... John Ford distills a quartet of plays from the early career of Eugene O'Neill--BOUND EAST FOR CARDIFF, THE LONG VOYAGE HOME, THE ZONE, and THE MOON OF THE CARIBEES--into a stark, fatalistic group portrait of lonely seafaring men. During World War II, the crew of the tramp steamer Glencairn enjoys a final night of carousing in the West Indies before shipping out to pick up a load of dynamite in Baltimore. Among them are the young, good-natured Ole Olsen (John Wayne), saving his pay to buy a small farm in his native Sweden; paternal Irishman Driscoll (Thomas Mitchell); and tortured English aristocrat Smitty (Ian Hunter). After stowing the explosives in Baltimore, the crew is on edge, fearful that rough seas might detonate their volatile cargo. They're also concerned about the increasingly isolated Smitty, who they believe may be signaling the Nazis. The favorite film of the playwright O'Neill, who ran it repeatedly, and certainly among the director's best, THE LONG VOYAGE HOME was made under a deal with 20th Century Fox that allowed Ford to make one nonstudio film per year. While both Ford and the ensemble cast turn in magnificent work, the most notable contribution to the film is made by legendary cinematographer Gregg Toland, who asked the director if he could experiment with a new type of deep-focus photography. Ford agreed, and the film's astounding low-key, high-contrast, deep-focus compositions--which Toland would next use in CITIZEN KANE--make this film a companion to Orson Welles's masterpiece as one of the most sublimely photographed in the medium's history. [More]

Starring: John Wayne, Thomas Mitchell, Ward Bond, Ian Hunter

Starring: John Wayne, Thomas Mitchell, Ward Bond, Ian Hunter, Barry Fitzgerald, John Qualen, Mildred Natwick, Wilfred Lawson

Director: John Ford

Director: John Ford
Screenwriter: Dudley Nichols
Story: Eugene O'Neill
Producer: Walter Wanger
Composer: Richard Hageman

[See More Credits]

DVD Info

 
 
 
 
Release:

Jun 6, 2006

[DVD Details]
 
 

DVD Features:

  • Keep Case
  • Full Frame - 1.33

Audio:

  • Mono 1.0 - English

Additional Release Material:

  • Featurette - "Serenity at Sea: John Ford and the Araner"

Reviews for The Long Voyage Home

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1 - 11 (sorted by date; Australian critics are listed first)
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Full Review Source: Variety | comment Comment
10/18/08
Variety
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Shot by master cinematographer Gregg Toland, this is one of John Ford's most visually expressive film, one that also features the young John Wayne in a strong performance

Full Review Source: EmanuelLevy.Com | comment Comment
11/09/06
Emanuel Levy
EmanuelLevy.Com
N/R

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Full Review Source: Time Out | comment Comment
02/09/06
Geoff Andrew
Time Out
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No review available.

comment Comment
10/16/05
Emanuel Levy
EmanuelLevy.Com
Ratings Image

Mainly noted for the quality innovative photography done by cinematographer Gregg Toland.

Full Review Source: Ozus' World Movie Reviews | comment Comment
09/07/05
Dennis Schwartz
Ozus' World Movie Reviews
Ratings Image

Features beautiful cinematography by Gregg Toland, no-frills direction by [John] Ford, and a great cast.

Full Review Source: Goatdog's Movies | comment Comment
02/12/05
Michael W. Phillips, Jr.
Goatdog's Movies
Ratings Image

Lesser John Ford, but still a haunting production.

comment Comment
10/16/04
Steve Crum
Kansas City Kansan
N/R

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Full Review Source: Channel 4 Film | comment Comment
05/24/03
Channel 4 Film
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N/R

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Full Review Source: New York Times | comment Comment
05/20/03
Bosley Crowther
New York Times
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Full Review Source: TV Guide's Movie Guide | comment Comment
01/01/00
TV Guide's Movie Guide
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N/R

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Full Review Source: Chicago Reader | comment Comment
01/01/00
Jonathan Rosenbaum
Chicago Reader
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