The film's approach to violence is unflinching: this is what poor people are doing to each other with the guns the West sells them, it screams -- but there's no suggestion it might be stopped, or slowed.
Lord of War (2005)
Tomatometer
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Reviews Counted:138
Fresh:85
Rotten:53
Average Rating:6.2/10
Consensus: While Lord of War is an intelligent examination of the gun trade, it is too scattershot in its plotting to connect.
Runtime: 2 hrs 2 mins
Genre: Thriller, Theatrical Release
US Box Office: $24,033,036
Synopsis: Based on actual events, this black comedy/drama stars Nicholas Cage as international arms smuggler Uri Orlov. The story follows Uri from his humble beginnings as a Soviet immigrant in 1970s... Based on actual events, this black comedy/drama stars Nicholas Cage as international arms smuggler Uri Orlov. The story follows Uri from his humble beginnings as a Soviet immigrant in 1970s Brooklyn and peaks with his involvement in selling off the stockpiled arsenal of post-Cold War Ukraine to--among other top clients--the sadistic African dictator André Baptiste, Sr. (Eamonn Walker). Jared Leto costars as Uri's little brother Vitaly, whose conscience and a burgeoning cocaine problem get in the way of business. Ethan Hawke is good as a sanctimonious Interpol agent with a vendetta against Uri, but the film's biggest dose of onscreen gravitas comes from Walker, whose Baptiste seethes with a heavy, serpent-like malevolence. Written and directed by Andrew Niccol, the film makes fine use of the brisk stream-of-consciousness narration style that Martin Scorcese brought to the true crime genre with GOODFELLAS (1992), and a near constant flow of action and classic rock songs that ensure a speedy, riveting ride through three decades of global carnage. Cage, who coproduced, lets his patented oddball magnetism slowly change polarity, until viewers realize they've been led into a moral quagmire by falling for his self-delusory spiels about supply and demand, making this one of the bravest and most jet-black comedies of its decade. [More]
Starring: Nicolas Cage, Ethan Hawke, Jared Leto, Bridget Moynahan
Starring: Nicolas Cage, Ethan Hawke, Jared Leto, Bridget Moynahan, Ian Holm, Sammy Rotibi, Eamonn Walker
Director: Andrew Niccol
Director: Andrew Niccol
Screenwriter: Andrew Niccol
Producer: Philippe Rousselet, Norm Golightly
Composer: Antonio Pinto
Producer: Nicolas Cage
Studio: Lions Gate Films
Reviews for Lord of War
The film is totally engaging, even though not always on an emotional level; there are so many issues striding through the screenplay it's hard to relate too closely to Yuri, although there are moments.
Niccol is no stranger to hot-button issues, but he outdoes his previous efforts by injecting this satire of war profiteering in the Halliburton age with a wicked arsenic wit.
This film fails so miserably don't be surprised to find yourself often rooting against the supposed good guy.
That the CIA engages in these activities with all sorts of Orlovs no doubt slithering around in the mix somewhere, is a far more intriguing huge chunk of vital information that sadly never made it to the screen.
ELord Of War drops the hammer slowly, laying out the fascinating parameters of Cage's world before opening up its argument in an astonishing denouement.
Lord of War has a surreal edge, despite being enmeshed in world events, with absurdity and dark humor laced throughout.
Una película frívola y superficial sobre un tema serio e importante como el tráfico de armas. Entretiene, pero como denuncia cínica se queda corta.
The movie's too flippant for good drama and not funny enough for satire, but the morbidly fascinating subject and Cage's reptilian performance hold our interest.
Impressive performances, fascinating info-bytes and pertinent editorial, but in the end, it feels too much like an illustrated lecture.
Unlike most Hollywood movies being made today, Lord of War actually has something to say even though it goes about saying it clumsily . . .
Niccol seems to have bitten off more than he can chew here, substituting feverishness for character development...
The high point is Niccol's script, which turns weighty subject matter into dark comedy.
This film entertained me throughout, but it also provided me with a truly insightful look at the amoral world of trading man-killers.
O anti-herói complexo oferece ao brilhante roteiro a oportunidade de analisar, de forma inventiva e fascinante, o mercado negro (abastecido por grandes governos) das armas de fogo.
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