I found the never-ending circle of skates, booze, drugs and girls rather repetitive and boring, but skate-board fanatics will lap up every intense moment
Lords of Dogtown (2005)
Tomatometer
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Reviews Counted:138
Fresh:76
Rotten:62
Average Rating:6/10
Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Runtime: 1 hr 49 mins
Genre: Dramas
US Box Office: $11,008,432
Synopsis: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its... Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen. [More]
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano, Nikki Reed, Heath Ledger, Rebecca De Mornay, Johnny Knoxville
Director: Catherine Hardwicke
Director: Catherine Hardwicke
Screenwriter: Stacy Peralta
Producer: John Linson, Art Linson
Composer: Mark Mothersbaugh
Studio: Columbia Pictures
Reviews for Lords of Dogtown
When the film works dramatically, it works because of [Emile Hirsch and Heath Ledger].
Using desaturated tones, the filmmakers employ handheld camerawork, tightly framed close-ups and kinetic cuts for a fluid, aggressive, punk-ass style that captures the energy of that singular moment in sports history.
Hardwicke executes with the crucial street cred a movie like this needs.
Could have used a little more... melancholy and pain, as well as a starker sense of the Z-Boys as cultural forerunners.
Lords can't quite sustain this adrenaline to the finish as it eventually loses focus and takes a fall into sentimentality. But when it excels, it brings that electric charge that comes when a film's style is perfectly matched with its subject.
As the three friends separate via commercial successes afforded them, "Lords Of Dogtown" becomes a distinctly youthful American anecdote about the nature of friendship and success.
The most thrilling moments in Lords of Dogtown involve skateboard wheels.
I walked out of Dogtown almost bouncing...it's a rush, a kinetic spectacle that puts you right back into your own 16 year old shoes...
The film has an adolescent-summer-movie breeziness, and personalizes and romanticizes many of the original film's themes into a broader and more general canvas of camaraderie and conflict.
Entertaining in its joy and energy, and perceptive in depicting a specific, one-of-a-kind era.
Being a little skate punk pre-teen... I found the film to be a fascinating window to my own past, despite the film's obvious flaws. I doubt others will be as forgiving.
What could have been only a pandering skate-ploitation flick instead treats its true story with maturity and skill.
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