I found the never-ending circle of skates, booze, drugs and girls rather repetitive and boring, but skate-board fanatics will lap up every intense moment
Lords of Dogtown (2005)
Tomatometer
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Reviews Counted:138
Fresh:76
Rotten:62
Average Rating:6/10
Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Runtime: 1 hr 49 mins
Genre: Dramas
US Box Office: $11,008,432
Synopsis: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its... Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen. [More]
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano, Nikki Reed, Heath Ledger, Rebecca De Mornay, Johnny Knoxville
Director: Catherine Hardwicke
Director: Catherine Hardwicke
Screenwriter: Stacy Peralta
Producer: John Linson, Art Linson
Composer: Mark Mothersbaugh
Studio: Columbia Pictures
Reviews for Lords of Dogtown
A modestly entertaining movie, thanks largely to the efforts of director Catherine Hardwicke and the three leads.
Catherine Hardwicke (gives) the skate scenes the feel of dynamic videos that popularized the style and the drama a scrappy, naturalistic immediacy.
Dogtown slides into melodrama. Skateboard pic pales next to documentary.
Entirely sympathetic to its youthful, even bratty characters -- and, by extension, to the youth audience that is likely to respond most enthusiastically to the film.
Lords of Dogtown will have limited interest for those who exist outside of the skateboarding community.
When the film works dramatically, it works because of [Emile Hirsch and Heath Ledger].
...doesn't have half the spontaneity and maverick spirit of the vivid, kinetic, crowd-pleasing documentary that inspired it.
The movie rarely conveys the import of what these kids accomplished: As depicted here, their cultural revolution seems no more noteworthy than a day spent at the mall.
I couldn’t help but think of the episode of The Simpsons where the Itchy & Scratchy canine sidekick so self-consciously ‘in-your-face’ comes off as tame instead.
It's hard to shake the feeling that Hardwicke's film is a stunt itself, with talented young actors dolled up in skater drag to peddle Peralta's...self-mythology.
So literal is the antiestablishment vibe that whenever there's a moment primed to make kids wanna punch out an old square, they get to see it acted out.
The perfect final image to encapsulate the film: A kid in a wheelchair, lobotomized by brain surgery, sitting in an empty pool surrounded by unlikable skateboarders.
It's hard to think of a movie since 1950's Sunset Boulevard that has gotten more dramatic impact out of a pool.
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