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Lords of Dogtown (2005)
Tomatometer
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Reviews Counted:138
Fresh:76
Rotten:62
Average Rating:6/10
Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Runtime: 1 hr 49 mins
Genre: Dramas
US Box Office: $11,008,432
Synopsis: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its... Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen. [More]
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano, Nikki Reed, Heath Ledger, Rebecca De Mornay, Johnny Knoxville
Director: Catherine Hardwicke
Director: Catherine Hardwicke
Screenwriter: Stacy Peralta
Producer: John Linson, Art Linson
Composer: Mark Mothersbaugh
Studio: Columbia Pictures
Reviews for Lords of Dogtown
I found the never-ending circle of skates, booze, drugs and girls rather repetitive and boring, but skate-board fanatics will lap up every intense moment
...makes the sport seem about as much fun as having your toenails ripped off one by one.
There are also a lot of hot girls in ‘70s shorts, and they look like natural ‘70s bodies. I don’t know where they found those in Hollywood.
A biopic about skateboard heroes of the 1970s that's only truly alive when the Z-Boys are inventing their new sport.
There’s great authenticity in the picture thanks to Catherine Hardwicke’s atmospheric direction and Stacy Peralta’s first-hand account of the era.
While the actors do a decent job capturing the aura of their characters, the writing, directing and editing stumble.
The movie is like a daydream, and it's most infectious when the characters are in motion or misbehaving, which is often.
In her raw, ruff-and-ready style, Hardwicke gets in your face early and often. You just want to tell her, 'Down, girl.'
Using desaturated tones, the filmmakers employ handheld camerawork, tightly framed close-ups and kinetic cuts for a fluid, aggressive, punk-ass style that captures the energy of that singular moment in sports history.
Not only is there no need for this movie, but its weaknesses underline the strength of [Dogtown and the Z-Boys].
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