The movie failed, on every level, to answer the one key question: Why should I care about these boys?
Lords of Dogtown (2005)
Tomatometer
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Reviews Counted:138
Fresh:76
Rotten:62
Average Rating:6/10
Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Runtime: 1 hr 49 mins
Genre: Dramas
US Box Office: $11,008,432
Synopsis: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its... Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen. [More]
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano, Nikki Reed, Heath Ledger, Rebecca De Mornay, Johnny Knoxville
Director: Catherine Hardwicke
Director: Catherine Hardwicke
Screenwriter: Stacy Peralta
Producer: John Linson, Art Linson
Composer: Mark Mothersbaugh
Studio: Columbia Pictures
Reviews for Lords of Dogtown
Purely as a study in speed and movement, Lords of Dogtown is a gnarly ride.
Hardwicke’s gritty touch and unwillingness to romanticize adolescence keeps her film from being as brashly celebratory as it might have been...
Major plot lines may begin, develop and end, changing characters' lives forever, while you are in the bathroom.
It’s played at a level of youth film energy that I never felt director Catherine Hardwicke reached in her previous effort Thirteen.
[I]t vibrates with a bouncing-off-the-walls energy that sucks you right into the action.
To call this movie a dog would be to insult my friends of the canine persuasion, so I will just say it stinks
They maintained their balance on dangerous skateboard stunts but wiped out the way anyone who has ever watched an epsiode of VH1: Behind the Music knows all too well.
Reaches beyond the cinematic frame as far as it can to catch big air, giving its audience a you-are-there viscerality.
Knoxville's arrival marks the end of Dogtown as a free-flowing lark and the beginning of the film's over-determined and predictable "rise-and-fall" story arcs.
One of the flaws of Paralta's script is that he wants us to feel SORRY for those poor kids who made all that money. Awwwwwwwww….
Lots of fun for its target audience; skaters both old school and new, and high schoolers.
I couldn’t help but think of the episode of The Simpsons where the Itchy & Scratchy canine sidekick so self-consciously ‘in-your-face’ comes off as tame instead.
Lords of Dogtown stays afloat, largely because many of its actors transcend Hardwicke's heavy-handed storytelling.
The most thrilling moments in Lords of Dogtown involve skateboard wheels.
Lords of Dogtown isn't a cop-out, but rather an ever-so-slight concession to commercialism, while Dogtown and Z-Boys was, above all else, a love song to the counterculture.
Entirely sympathetic to its youthful, even bratty characters -- and, by extension, to the youth audience that is likely to respond most enthusiastically to the film.
If watching Dogtown and Z-Boys was tantamount to witnessing history itself, watching Lords of Dogtown, which Peralta wrote, feels more like watching a stiff, meticulously choreographed reenactment.
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