It's hard to think of a movie since 1950's Sunset Boulevard that has gotten more dramatic impact out of a pool.
Lords of Dogtown (2005)
Tomatometer
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Reviews Counted:138
Fresh:76
Rotten:62
Average Rating:6/10
Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Runtime: 1 hr 49 mins
Genre: Dramas
US Box Office: $11,008,432
Synopsis: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its... Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen. [More]
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano, Nikki Reed, Heath Ledger, Rebecca De Mornay, Johnny Knoxville
Director: Catherine Hardwicke
Director: Catherine Hardwicke
Screenwriter: Stacy Peralta
Producer: John Linson, Art Linson
Composer: Mark Mothersbaugh
Studio: Columbia Pictures
Reviews for Lords of Dogtown
This dramatization does nothing Peralta's documentary didn't do better. And why opt for the imitation when the real deal is still out there for the viewing?
For someone who was there, not to mention someone who created Dogtown and Z-Boys, Peralta has crafted a script so superficial and simplistic it feels like it was tapped out by a 14-year-old fan.
The action sequences are real and raw, and if Lords never quite gets airborne, it does justice to a scene whose legacy rolls on.
What Lords needed, and what it mostly lacks, is dramatic impact off the concrete.
Demonstrates enough narrative style, grit and artistry to latch onto plenty of viewers with absolutely zero interest in skateboarding.
[Hardwicke] brings a social realism to Dogtown and a fondness for the sport that pay early dividends. As the movie unspools, though, it also unravels, because it seems that nothing consequential is at stake.
Catherine Hardwicke, working from a Peralta script and stealing the look and verve of his earlier documentary, turns in a dazzling, edgy and entertainingly blunt riff on the gnarly and how they got that way.
Unlike the documentary, the movie is reluctant to delve too deeply into the darker side of its protagonists.
Catherine Hardwicke's Lords of Dogtown works as both an energetic thrill ride and a keenly-felt drama about boys gone wild.
When the film works dramatically, it works because of [Emile Hirsch and Heath Ledger].
Lords of Dogtown is a fictional feature that tries hard to mimic the sun-baked realism of the documentary that inspired it. But mimic is all it does.
There are also a lot of hot girls in ‘70s shorts, and they look like natural ‘70s bodies. I don’t know where they found those in Hollywood.
...it is a pretty haphazard affair unless you are convinced that the world of skateboarding is intrinsically interesting.
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