Essentially a crime noir thriller with a twist, Paul McGuigan's film is showy and sharp, whose witty dialogue is delivered with a shrug
Lucky # Slevin (2006)
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Reviews Counted:151
Fresh:78
Rotten:73
Average Rating:5.9/10
Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.
Runtime: 1 hr 50 mins
Genre: Dramas
US Box Office: $22,438,650
Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company
Reviews for Lucky # Slevin
I keep seeing films in which A-grade actors fill not just the top slots but some of the lesser roles, too, only to find themselves squashed by a script, or by a weight of contrivance, that would be lucky to bring home a C-plus.
Slevin feels like a lackluster writing sample that somehow bumbled its way into a feature film production.
Like the recent Kiss Kiss, Bang Bang, Slevin is a real-world crime tale with no grip on reality, just an obsession for gimmicky movie-brat fantasy. Believable, it's not.
Despite the title of the movie he lives in, Slevin (Josh Hartnett) is only partly lucky.
Fans will compare it to Pulp Fiction or The Usual Suspects, but it's more like one of their knockoffs, glib enough to be diverting and nothing more.
The fist half hour of this film is so promising that I'm almost willing to ignore the mess that follows. Almost.
Like its leading man, this movie presents a charming façade with nothing much underneath.
A twisty and stylish but disposable thriller that leads nowhere with its inflated plot.
There's a difference between being caught up in the unpredictable mood swings of an original vision, and watching until the end to see how all the kinks are straightened out.
Oh, it can be clever -- in the way a precocious kid can be clever. But, like said kid, after a while, you just want it to stop.
Another drearily sadistic and pointless crime thriller from the excessively in-demand Scottish technician Paul McGuigan.
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