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Movies / Upcoming / Lucky # Slevin
Lucky # Slevin

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Lucky # Slevin (2006)

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Reviews Counted:38

Fresh:19

Rotten:19

Average Rating:5.7/10

Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.

Runtime: 1 hr 50 mins

Genre: Dramas

US Box Office: $22,438,650

Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]

Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu

Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin

Director: Paul McGuigan

Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company

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Reviews for Lucky # Slevin

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1 - 11 (sorted by date; Australian critics are listed first)
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Essentially a crime noir thriller with a twist, Paul McGuigan's film is showy and sharp, whose witty dialogue is delivered with a shrug

Full Review Source: Urban Cinefile | comment Comment
11/10/06
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
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I think it was entertaining as heck.

Full Review Source: Ebert & Roeper | comment Comment
04/10/06
Richard Roeper
Richard Roeper
Ebert & Roeper
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It's the type of movie where nothing is as it appears, and even when it's all sorted out it's completely unsatisfying.

Full Review Source: Los Angeles Times | comment Comment
04/07/06
Kevin Crust
Kevin Crust
Los Angeles Times
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It's not that hyper-violent movies are axiomatically a bad thing, it's just that this particular example is so laden with shootings that it becomes somehow tedious.

Full Review Source: Washington Post | comment Comment
04/06/06
Stephen Hunter
Stephen Hunter
Washington Post
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This pop-culture-infused mistaken-identity thriller ultimately grabs hold and beguiles, though its convoluted plot takes a while to get going.

Full Review Source: USA Today | comment Comment
04/06/06
Claudia Puig
Claudia Puig
USA Today
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This star-studded jigsaw puzzle of revenge and mistaken identity thinks it's terribly smart, although it amounts to an empty, self-satisfied imitation of Pulp Fiction.

comment Comment
04/06/06
Stephen Holden
Stephen Holden
New York Times
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It's the worst kind of con: It tells us it's a con, so we don't even have the consolation of being led down the garden path. The rug of reality is jerked out from under us in the opening scenes, and before long the floor is being dismantled.

Full Review Source: Chicago Sun-Times | comment Comment
04/06/06
Roger Ebert
Roger Ebert
Chicago Sun-Times
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I keep seeing films in which A-grade actors fill not just the top slots but some of the lesser roles, too, only to find themselves squashed by a script, or by a weight of contrivance, that would be lucky to bring home a C-plus.

Full Review Source: New Yorker | comment Comment
04/03/06
Anthony Lane
Anthony Lane
New Yorker
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Like its title (will there be a worse one this year?), Lucky Number Slevin isn’t as clever as it thinks it is.

Full Review Source: Empire Magazine | comment Comment
04/01/06
Nick De Semlyen
Nick De Semlyen
Empire Magazine
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Why, oh why, should we give a stuff? I'm not sure.

Full Review Source: Guardian [UK] | comment Comment
03/11/06
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
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This mistaken-identity thriller delights in narrative complication and Tarantino-esque self-awareness; it's when the labyrinthine plot starts to make sense, ironically, that the pervasive shallowness becomes a liability.

Full Review Source: Variety | comment Comment
01/22/06
Justin Chang
Justin Chang
Variety
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1 - 11 (sorted by date; Australian critics are listed first)
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Latest News for Lucky # Slevin

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Fox's big-money cash cow Ice Age: The Meltdown reigned supreme for a second consecutive weekend at the box office, fending off a few newcomers who probably made a bit more money... More...

April 07, 2006: Josh Hartnett Takes the Wheel with "Slevin," "Dahlia"
Josh Hartnett is still in his twenties, but he's already taken a sabbatical from the Hollywood rat race; now he's come back refocused, with the neo-noir comedy "Lucky... More...

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