Lucky Number Slevin is an ingenious maze that viewers will enjoy getting lost in. It's in the rare category of movies I immediately wanted to see again.
Lucky # Slevin (2006)
Tomatometer
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Reviews Counted:151
Fresh:78
Rotten:73
Average Rating:5.9/10
Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.
Runtime: 1 hr 50 mins
Genre: Dramas
US Box Office: $22,438,650
Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company
Reviews for Lucky # Slevin
There's a difference between being caught up in the unpredictable mood swings of an original vision, and watching until the end to see how all the kinks are straightened out.
[McGuigan] uses a 20-gallon Hefty bag of other moviemakers' tricks on the ridiculous reverse-constructed revenger script by Jason Smilovic.
This fun but ultimately disappointing mistaken-identity thriller has style galore, which may actually be the crux of its problem.
[The film] sometimes sidles toward pretension but never succumbs to it.
Oh, it can be clever -- in the way a precocious kid can be clever. But, like said kid, after a while, you just want it to stop.
The talk is witty, the twists are ingenious, the look and the mood are drop-dead.
Another drearily sadistic and pointless crime thriller from the excessively in-demand Scottish technician Paul McGuigan.
...so pleased with its own cleverness that an audience isn't even necessary.
Hartnett would seem hard-pressed to carry a basket of laundry, let alone carry a motion picture.
Even if the dialogue is too glib for the dark and ruthless heroes, a great cast and edgy story keep this thriller moving to the very end.
If a movie lover died and took the red-eye to film-noir heaven, "Lucky Number Slevin" could be the in-flight film.
The Tarantino school of filmmaking reaches its nadir -- one hopes -- in this initially promising mistaken-identity caper, which ends up cooking its own goose through a devotion to glibness.
For some viewers, Lucky Number Slevin may prove, not merely too clever by half, but also too "stylish" by three-quarters.
What's ultimately missing from Slevin is not only mystery and humor, but any trace of inventiveness to counteract the overriding triteness of its Pulp Fiction-ish shenanigans.
For all its game invention, is less Pulp Fiction than an Elmore Leonard knockoff crossed with Deathtrap: a thriller that holds less interest -- and less water -- the more it reveals about what's actually going on.
Slick and stylized, it's a convoluted crime plot that's stretched to pretentious extremes.
...a funky crime picture loaded with slick dialogue, lots of bloody killings and a slew of oddly named characters...
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