The modulation from capper suavity to brisk Dumas-like derring-do is quicksilver
The Castle of Cagliostro (1979)
Tomatometer
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Reviews Counted:9
Fresh:8
Rotten:1
Average Rating:7/10
Runtime: 1 hr 49 mins
Genre: Action/Adventure
US Box Office: $0
Synopsis: The feature film debut of Hayao Miyazaki (NAUSICAÄ OF THE VALLEY OF THE WIND, PRINCESS MONONOKE), THE CASTLE OF CAGLIOSTRO depicts one adventure of the master thief Lupin and his... The feature film debut of Hayao Miyazaki (NAUSICAÄ OF THE VALLEY OF THE WIND, PRINCESS MONONOKE), THE CASTLE OF CAGLIOSTRO depicts one adventure of the master thief Lupin and his rough-around-the-edges gunman, Jigen. Something of a cross between Batman, James Bond, and Cary Grant's character in TO CATCH A THIEF, Lupin is a suave ladies' man who is also given to feats of athletic daring, aided by a gadget filled belt that gets him out of more than a few scrapes. The plot has Lupin and Jigen traveling to the sleepy little country of Cagliostro and coming to the aid of the unwilling fiance of the diabolical Count Cagliostro. After CAGLIOSTRO, Miyazaki stopped creating "slapstick" feature films in favor of more serious fare; CAGLIOSTRO shows, however, that he is quite capable of delivering the goods in this genre. Based on the Lupin comics by the artist Monkey Punch, CAGLIOSTRO is a great heist/chase film that surpasses most similar live action fare and breezes by with more than a couple of inventive set pieces, as well as some excellent comic dialogue. [More]
Director: Hayao Miyazaki
Director: Hayao Miyazaki
Screenwriter: Hauya Yamazaki, Hayao Miyazaki
Composer: Ugi Ohno
Reviews for The Castle of Cagliostro
The second Lupin anime feature, is widely regarded as the thief's best outing...
Une première oeuvre stimulante, mais mineure dans une filmographie aussi stellaire que celle de ce grand rêveur qui allait changer à jamais la face du cinéma d'animation
...makes up for the lack of mysticism with a cracking, breakneck pace.
This one should fare nearly as well with animation fans of any age, provided they are unwavering in their devotion to the form and do not think 100 minutes is an awfully long time.
Missing is a sense of completion and the deeper examination of themes that one will come to associate with the director's work.
Sure, it's no great triumph of moviemaking, but it is entertaining, and a more or less plausible way to kill 95 minutes on a Saturday afternoon.
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