A quiet, contemplative noir thriller with a look and tone uncannily reminiscent of Hitchcock and a slow, brooding pace that at times undermines its effectiveness.
The Man Who Wasn't There (2001)
Tomatometer
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Reviews Counted:151
Fresh:121
Rotten:30
Average Rating:7.1/10
Consensus: Stylish but emotionally distant, TMWWT is a clever tribute to the noir genre.
Runtime: 1 hr 56 mins
Genre: Dramas
US Box Office: $7,408,031
Synopsis: The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a... The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a slow-moving, barely talking barber who doesn't seem to want much out of life. He has virtually no relationship with his wife, Doris (Frances McDormand), who has more fun with her boss, Big Dave (James Gandolfini). But when a strange character (Jon Polito) lets it be known that he's looking for a silent partner to finance his dream business (something he calls dry cleaning), Ed sees a possible way out of his doldrums. Just like any good James M. Cain novel (which the Coens cited as a major influence on the story), blackmail, deceit, violence, murder, and double crossing ensue, all with the magic Coen twists and turns. THE MAN WHO WASN'T THERE looks simply magnificent; the cinematography, the outfits, and the set designs perfectly capture this intriguing post-WWII paranoid world embodied by misfits, cheats, simpletons, con men, and other ne'er-do-wells. Thornton, who also supplies the wonderfully droll narration, gives a bravura performance as Ed, the everyman who has never strayed from the straight and narrow--until now. Always with a Chesterfield in his mouth, he wanders from scene to scene almost as if he's a spectator--even though he's at the center of everything that goes on. The supporting cast, as usual in a Coen brothers film, is outstanding, including McDormand, Gandolfini, Polito, Tony Shalhoub, Richard Jenkins, and Scarlett Johansson as a young potential piano prodigy. [More]
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco, Katherine Borowitz, Jon Polito, Scarlett Johansson, Richard Jenkins, Tony Shalhoub, Adam Alexi-Malle, Christopher McDonald
Director: Joel Coen
Director: Joel Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Ethan Coen
Composer: Carter Burwell
Studio: USA Films
Reviews for The Man Who Wasn't There
Breathtaking cinematography almost covers up some of the structural inconsistencies.
The resulting hodgepodge is a medley of the brothers' favorite verbal and visual tics, making much noise and signifying nothing.
Black-and-white Coen brothers experiment in film noir is transformed by Billy Bob Thornton's superb performance.
Stunning photography, terrific performances from a note-perfect cast, and a wonderful, dryly-comic script. One of the best films of the year.
The story is a pitch-perfect homage to the spirit of the original film noir movies of the 1940s.
The Coens have resurrected a hardscrabble California of wooden porches and gravel driveways, of rolling, oak-wreathed hills and one-lane roads, and of a restless people whose meager dreams are wrecked the moment money, sex or a bottle get in the way.
Even though I wish the Coen had invested themselves in their story more seriously, they more than make up for it with style and atmosphere.
...the brothers Coen ... are like that other Minnesotan, F. Scott Fitzgerald, insofar as they seem to have the knack of saying very little very beautifully
Los Coen siguen demostrando que el cine es mucho más que simples efectismos visuales que no dejan nada para la posteridad.
A more outwardly dramatic offering than what we're used to seeing from the brothers, and, without the usual doses of droll comedy to keep the story moving, the weakness of a petering final act feels magnified.
The Coen Brothers wander down some dead ends in The Man Who Wasn't There, but they still reach a surprising, grim conclusion James M. Cain would admire.
This film should be shown in film school the first day they discuss lighting. The attention to detail shown with light, shadow, and abscence of light are impossible to ignore even if you never notice those sort of things.
Even though I sometimes think they're too clever for their own good, the Coens win again.
Shot in shimmering black and white and saturated with the sweaty essence of 1940s film noir, "Man" is an exquisitely crafted, if somewhat predictable, melodrama...
I ain't so sure where the Coens are trying to go with it, and I'm fairly certain the movie gets pretty far away from them somewhere during the second hour.
La frase y secuencia final, como idea y como toma es tan buena, que sólo puede sonreírse al mirarla y recordarla
A paradoxical film even by the Coen brothers' standards: a painstakingly crafted throwaway.
Latest News for The Man Who Wasn't There
April 27, 2008:
RT interview: Roger Deakins on No Country for Old Men
Cinematographer, Roger Deakins, comes out from behind the lens to discuss his long time collaboration with the Coen brothers and No Country for Old Men. More...
November 07, 2007:
Total Recall: Welcome to Coen Brothers Country
Before expanding wide on November 21, No Country for Old Men (90 percent) will play in select cities this Friday riding a wave of huge expectations. The Cormac McCarthy-based... More...
February 02, 2006:
Coens Aim to Tackle New "Country"
According to The Hollywood Reporter, Joel & Ethan Coen's next film will be an adaptation of Cormac McCarthy's "No Country for Old Men." Word is that Tommy Lee... More...
September 07, 2005:
Clooney & Coens to Reunite for "Hail Caesar"
Apparently the latest issue of Vogue Magazine is being credited with the scoop, but fansite CoenBrothers.net broke the news about two months ago: George Clooney plans to reunite... More...
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