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Movies / Upcoming / M*A*S*H
M*A*S*H

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M*A*S*H (1970)

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Reviews Counted:36

Fresh:32

Rotten:4

Average Rating:8.3/10

Runtime: 1 hr 56 mins

Genre: Comedies

US Box Office: $0

Synopsis: With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American... With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American counterculture's growing distrust of religion and government in the late 1960s and early 1970s, resulting in one of the biggest box office smashes of its time. Introducing the techniques he would employ throughout his storied career--overlapping dialogue, a constantly moving camera with a heavy amount of zooming, and a bold combination of frank subject matter with cynical humor--Altman immediately vaulted himself to Hollywood's upper ranks. Based on the novel by Richard Hooker, M*A*S*H follows a group of Mobile Army Surgical Hospital officers as they perform surgery and pass the time just miles from the front lines of the Korean conflict. Led by sardonic captains "Hawkeye" Pierce (Donald Sutherland) and "Trapper" John McIntyre (Elliott Gould), the film has the feel of an absurd three-ring circus. Other characters include the uptight nurse "Hot Lips" O'Houlihan (Sally Kellerman), the confused Major Frank Burns (Robert Duvall), the troubled Captain "Painless" Waldowski (John Shuck), and the simpleminded Captain "Duke" Forrest (Tom Skerritt). Altman's decision to present his film as a series of loosely connected vignettes rather than a traditionally unfolding narrative perfectly captures the freewheeling spirit so unique to early-'70s cinema. [More]

Starring: Elliott Gould, Donald Sutherland, Sally Kellerman, Tom Skerritt

Starring: Elliott Gould, Donald Sutherland, Sally Kellerman, Tom Skerritt, Robert Duvall, Jo Ann Pflug, Rene Auberjonois, Roger Bowen

Director: Robert Altman

Director: Robert Altman
Screenwriter: Ring Lardner
Producer: Ingo Preminger
Composer: Johnny Mandel

[See More Credits]

Reviews for M*A*S*H

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1 - 20 (sorted by date; Australian critics are listed first)
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Full Review Source: In Film Australia | comment Comment
01/01/00
Luke Buckmaster
Luke Buckmaster
In Film Australia
Top Critic Icon Top Critic

Altman chronicles the sardonic wasteland with a camera that's always in the wrong place at the right time

Full Review Source: CinePassion | comment Comment
09/25/09
Fernando F. Croce
Fernando F. Croce
CinePassion

A good dint lower than its reputation, more so if you look at it not as one of the seminal 1970s films but instead as the first chapter from the finest filmmaking career spent examining the American mystique.

Full Review Source: Slant Magazine | comment Comment
09/15/09
Eric Henderson
Eric Henderson
Slant Magazine

It’s the first real film of the 1970s.

Full Review Source: Time Out New York | comment Comment
07/31/08
Joshua Rothkopf
Joshua Rothkopf
Time Out New York

Impudent and bold, M.A.S.H., Altman's most commercial film, satirizes the glorification of war, military bureaucracy, social hypocrisy, repressed sexuality and other norms than have lost their validity.

Full Review Source: EmanuelLevy.Com | comment Comment
07/02/07
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

This is still watchable for the verve of the ensemble acting and dovetailing direction, but some of the crassness leaves a sour aftertaste.

Full Review Source: Chicago Reader | comment Comment
06/27/07
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader

In the end M.A.S.H. succeeds, in spite of its glaring faults.

Full Review Source: Variety | comment Comment
06/27/07
Variety Staff
Variety Staff
Variety
Top Critic Icon Top Critic

A black comedy that rings hollow today.

Full Review Source: Ozus' World Movie Reviews | comment Comment
04/19/07
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Altman boiled away the muddled meat of literary pretension intended to smokescreen the essence of war: blood on the one side and semen on the other.

Full Review Source: Film Freak Central | comment Comment
07/26/06
Walter Chaw
Walter Chaw
Film Freak Central

It shows Altman's stylistic signature in embryonic form.

Full Review Source: Time Out | comment Comment
06/24/06
Geoff Andrew
Geoff Andrew
Time Out

A battle against the idea that 'a war movie' had to be a serious affair.

Full Review Source: Filmcritic.com | comment Comment
04/14/06
Christopher Null
Christopher Null
Filmcritic.com

If its bite and sass have diminished for today's new audiences ... consider that a testimony to the attitude, style, and technique it pioneered and infused into American popular movies.

Full Review Source: DVDJournal.com | comment Comment
04/06/06
Mark Bourne
Mark Bourne
DVDJournal.com

No review available.

comment Comment
04/28/05
Thomas Delapa
Thomas Delapa
Boulder Weekly

One of Altman's bona-fide masterpieces. Even better than the subsequent TV show. (Easily.)

comment Comment
04/03/05
Scott Weinberg
Scott Weinberg
eFilmCritic.com

No review available.

comment Comment
04/02/05
Philip Martin
Philip Martin
Arkansas Democrat-Gazette

Altman's best film and most influential.

comment Comment
01/05/05
Steve Crum
Steve Crum
Kansas City Kansan

Robert Altman's biggest success to date is also one of his least interesting films.

Full Review Source: Combustible Celluloid | comment Comment
11/15/04
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

One of the reasons M*A*S*H is so funny is that it's so desperate.

Full Review Source: Chicago Sun-Times | comment Comment
10/23/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

No review available.

comment Comment
08/04/04
Linda Cook
Linda Cook
Quad City Times (Davenport, IA)

No review available.

comment Comment
07/09/04
Jon Niccum
Jon Niccum
Lawrence Journal-World
 
 
1 - 20 (sorted by date; Australian critics are listed first)
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