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Movies / Upcoming / M*A*S*H
M*A*S*H

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M*A*S*H (1970)

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89 %
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Reviews Counted:36

Fresh:32

Rotten:4

Average Rating:8.3/10

Runtime: 1 hr 56 mins

Genre: Comedies

US Box Office: $0

Synopsis: With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American... With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American counterculture's growing distrust of religion and government in the late 1960s and early 1970s, resulting in one of the biggest box office smashes of its time. Introducing the techniques he would employ throughout his storied career--overlapping dialogue, a constantly moving camera with a heavy amount of zooming, and a bold combination of frank subject matter with cynical humor--Altman immediately vaulted himself to Hollywood's upper ranks. Based on the novel by Richard Hooker, M*A*S*H follows a group of Mobile Army Surgical Hospital officers as they perform surgery and pass the time just miles from the front lines of the Korean conflict. Led by sardonic captains "Hawkeye" Pierce (Donald Sutherland) and "Trapper" John McIntyre (Elliott Gould), the film has the feel of an absurd three-ring circus. Other characters include the uptight nurse "Hot Lips" O'Houlihan (Sally Kellerman), the confused Major Frank Burns (Robert Duvall), the troubled Captain "Painless" Waldowski (John Shuck), and the simpleminded Captain "Duke" Forrest (Tom Skerritt). Altman's decision to present his film as a series of loosely connected vignettes rather than a traditionally unfolding narrative perfectly captures the freewheeling spirit so unique to early-'70s cinema. [More]

Starring: Elliott Gould, Donald Sutherland, Sally Kellerman, Tom Skerritt

Starring: Elliott Gould, Donald Sutherland, Sally Kellerman, Tom Skerritt, Robert Duvall, Jo Ann Pflug, Rene Auberjonois, Roger Bowen

Director: Robert Altman

Director: Robert Altman
Screenwriter: Ring Lardner
Producer: Ingo Preminger
Composer: Johnny Mandel

[See More Credits]

Reviews for M*A*S*H

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1 - 20 (sorted by date; Australian critics are listed first)
Bubble View | 1 2 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 
Reviews
Tomatometer Critic Review Category
N/R

Luke Buckmaster

Click to read the article

Full Review Source: | comment Comment | Jan., 01 2000 12:00 AM

In Film Australia

tomato

Fernando F. Croce

Altman chronicles the sardonic wasteland with a camera that's always in the wrong place at the right time

Full Review Source: | comment Comment | Sep., 25 2009 06:23 PM

CinePassion

splat
2/4

Eric Henderson

A good dint lower than its reputation, more so if you look at it not as one of the seminal 1970s films but instead as the first chapter from the finest filmmaking career spent examining the American mystique.

Full Review Source: | comment Comment | Sep., 15 2009 07:27 AM

Slant Magazine

tomato
5/6

Joshua Rothkopf

It’s the first real film of the 1970s.

Full Review Source: | comment Comment | Jul., 31 2008 03:15 AM

Time Out New York

tomato
A

Emanuel Levy

Impudent and bold, M.A.S.H., Altman's most commercial film, satirizes the glorification of war, military bureaucracy, social hypocrisy, repressed sexuality and other norms than have lost their validity.

Full Review Source: | comment Comment | Jul., 02 2007 10:07 AM

EmanuelLevy.Com

tomato

Jonathan Rosenbaum

This is still watchable for the verve of the ensemble acting and dovetailing direction, but some of the crassness leaves a sour aftertaste.

Full Review Source: | comment Comment | Jun., 27 2007 02:58 PM

Chicago Reader

tomato

Variety Staff

In the end M.A.S.H. succeeds, in spite of its glaring faults.

Full Review Source: | comment Comment | Jun., 27 2007 02:55 PM

Variety

splat
C

Dennis Schwartz

A black comedy that rings hollow today.

Full Review Source: | comment Comment | Apr., 19 2007 07:19 PM

Ozus' World Movie Reviews

tomato
3.5/4

Walter Chaw

Altman boiled away the muddled meat of literary pretension intended to smokescreen the essence of war: blood on the one side and semen on the other.

Full Review Source: | comment Comment | Jul., 26 2006 04:07 PM

Film Freak Central

tomato

Geoff Andrew

It shows Altman's stylistic signature in embryonic form.

Full Review Source: | comment Comment | Jun., 24 2006 03:34 AM

Time Out

tomato
4.5/5

Christopher Null

A battle against the idea that 'a war movie' had to be a serious affair.

Full Review Source: | comment Comment | Apr., 14 2006 07:30 PM

Filmcritic.com

tomato

Mark Bourne

If its bite and sass have diminished for today's new audiences ... consider that a testimony to the attitude, style, and technique it pioneered and infused into American popular movies.

Full Review Source: | comment Comment | Apr., 06 2006 05:23 PM

DVDJournal.com

tomato
4/5

Thomas Delapa

No review available.

comment Comment | Apr., 28 2005 03:26 PM

Boulder Weekly

tomato
5/5

Scott Weinberg

One of Altman's bona-fide masterpieces. Even better than the subsequent TV show. (Easily.)

comment Comment | Apr., 03 2005 04:09 AM

eFilmCritic.com

tomato
4/5

Philip Martin

No review available.

comment Comment | Apr., 02 2005 08:12 AM

Arkansas Democrat-Gazette

tomato
5/5

Steve Crum

Altman's best film and most influential.

comment Comment | Jan., 05 2005 08:55 PM

Kansas City Kansan

tomato
3/4

Jeffrey M. Anderson

Robert Altman's biggest success to date is also one of his least interesting films.

Full Review Source: | comment Comment | Nov., 15 2004 10:29 PM

Combustible Celluloid

tomato
4/4

Roger Ebert

One of the reasons M*A*S*H is so funny is that it's so desperate.

Full Review Source: | comment Comment | Oct., 23 2004 10:30 PM

Chicago Sun-Times

tomato
5/5

Linda Cook

No review available.

comment Comment | Aug., 04 2004 08:35 PM

Quad City Times (Davenport, IA)

tomato
4/5

Jon Niccum

No review available.

comment Comment | Jul., 09 2004 07:20 AM

Lawrence Journal-World

 
 
1 - 20 (sorted by date; Australian critics are listed first)
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