Ahead of its time and still one of the most effectively subversive comedies ever to emerge from a major studio.
M*A*S*H (1970)
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Reviews Counted:36
Fresh:32
Rotten:4
Average Rating:8.3/10
Synopsis: With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American... With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American counterculture's growing distrust of religion and government in the late 1960s and early 1970s, resulting in one of the biggest box office smashes of its time. Introducing the techniques he would employ throughout his storied career--overlapping dialogue, a constantly moving camera with a heavy amount of zooming, and a bold combination of frank subject matter with cynical humor--Altman immediately vaulted himself to Hollywood's upper ranks. Based on the novel by Richard Hooker, M*A*S*H follows a group of Mobile Army Surgical Hospital officers as they perform surgery and pass the time just miles from the front lines of the Korean conflict. Led by sardonic captains "Hawkeye" Pierce (Donald Sutherland) and "Trapper" John McIntyre (Elliott Gould), the film has the feel of an absurd three-ring circus. Other characters include the uptight nurse "Hot Lips" O'Houlihan (Sally Kellerman), the confused Major Frank Burns (Robert Duvall), the troubled Captain "Painless" Waldowski (John Shuck), and the simpleminded Captain "Duke" Forrest (Tom Skerritt). Altman's decision to present his film as a series of loosely connected vignettes rather than a traditionally unfolding narrative perfectly captures the freewheeling spirit so unique to early-'70s cinema. [More]
Starring: Elliott Gould, Donald Sutherland, Sally Kellerman, Tom Skerritt
Starring: Elliott Gould, Donald Sutherland, Sally Kellerman, Tom Skerritt, Robert Duvall, Jo Ann Pflug, Rene Auberjonois, Roger Bowen
Director: Robert Altman
Director: Robert Altman
Screenwriter: Ring Lardner
Producer: Ingo Preminger
Composer: Johnny Mandel
Reviews for M*A*S*H
Clever camera setups, Altman's patented overlapping dialogue, wonderful sight gags and situations, and universally fine ensemble performances combine to make this one the most enjoyable war-themed films ever.
Although it is impudent, bold, and often very funny, it lacks the sense of order (even in the midst of disorder) that seems the special province of successful comedy.
Not only essential to an understanding of its director, it's equally essential to any understanding of film at the time it was made.
Robert Altman's Korea-as-Vietnam 'comedy' demonstrates the best -- and worst -- of '70s cinema.
Before ... the next war, both sides need to hire Altman as the director. He knows the territory, works with ensemble casts better than anyone, and provides plenty of laughs.
Remains as sharp and fresh and relevant as it was on the day of its initial release.
Ahead of its time and still one of the most effectively subversive comedies ever to emerge from a major studio
If you’re among the TV show’s multitude of fans but don’t know much about its progenitor, you may be surprised at how much edgier and daring the dark movie comedy is.
I can only be grateful to whomever was the brilliant producer who saw the potential for one of the best-loved series within this mess of dullness and mean-spirited randomness.
Altman's black comedy perfectly expressed the anarchic, rebellious spirit of the 1970s with its blistering anti-war message and contempt for authority.
Weird feelings watching this flick. It's like funny, but after ten years of watching Alan Alda's TV series... it's kind of negated the impact.
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