A cleverly planned switcheroo story in which the twist at the end is the knife in the back.
Matchstick Men (2003)
Tomatometer
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Reviews Counted:179
Fresh:148
Rotten:31
Average Rating:7.1/10
Consensus: Breezy and well-acted, Matchstick Men focuses more on the characters than on the con.
Runtime: 1 hr 56 mins
Genre: Comedies
US Box Office: $36,873,198
Synopsis: Meet Roy (NICOLAS CAGE) and Frank (SAM ROCKWELL), a couple of pros at the small-time con. As in con artists. Grifters. Matchstick Men. Take your pick. What Roy, a veteran of the grift, and... Meet Roy (NICOLAS CAGE) and Frank (SAM ROCKWELL), a couple of pros at the small-time con. As in con artists. Grifters. Matchstick Men. Take your pick. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling - er, make that selling - these days are "water filtration systems," bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations…which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy's private life, however, is not so successful. An obsessive-compulsive agoraphobe (and chain-smoker) with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he's forced to seek the help of a psychoanalyst (BRUCE ALTMAN) just to keep him in working order. While Roy is looking for a quick fix (i.e. pills), his therapy begets more than he bargained for: the revelation that he has a teenage daughter - a child whose existence he suspected but never dared confirm. What's more troubling, 14-year-old Angela (ALISON LOHMAN) wants to meet the father she never knew. At first, Angela's appearance disrupts her neurotic father's carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she's developing a fascination with Daddy's questionable career. Finally, at Angela's insistence and against his better judgment, the overprotective con artist begins teaching her some tricks of the trade and, much to his ambivalent mix of surprise, pride and dismay, she displays a remarkable gift for the grift. Now, like a kid with a new toy, Angela wants in on the partnership. But that could seriously jeopardize Roy's peace of mind - not to mention his whole way of life. This film is rated PG-13 by the MPAA for "thematic elements, violence, some sexual content and language." FOR RATINGS REASONS, GO TO FILMRATINGS.COM, PARENTALGUIDE.ORG AND MPAA.ORG [More]
Starring: Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill
Starring: Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill, Bruce Altman
Director: Ridley Scott
Director: Ridley Scott
Screenwriter: Nicholas Griffin, Ted Griffin
Producer: Jack Rapke, Steve Starkey, Sean Bailey, Ted Griffin
Composer: Hans Zimmer
Studio: Warner Bros.
Reviews for Matchstick Men
When he's good, Ridley Scott can change filmgoing forever. When he's bad, he's just extremely mediocre. That being the case, Matchstick is then an example of Scott at his worst.
[Cage is] funny in his misery, because he has a natural air of exaggeration: he carries his own storm cloud with him, almost like a cartoon of the sad and lonely guys he played in Moonstruck and Raising Arizona.
Nicholas Cage gives his best performance since "Leaving Los Vegas" as con man Roy Waller in this sophisticated movie about familial responsibility, self-imposed barriers and the possibilities of a well executed long con.
Matchstick Men never really casts off its cloak of artificiality and calculation; its pleasures are minor, however distracting they may be.
Scott tucks away his visual athletics in favour of something leisurely and quietly devastating. It's ultimately far more cunning a script than we can reveal here.
Ridley Scott lets us enjoy the satisfying clicks and whirrs of the well-oiled celluloid con trick, while leaving plenty of head room for Cage to twitch and fret in.
Matchstick Men works because of the way the key players handle the material. This is the work of professionals acknowledging a good story and knowing better than to get in the way.
Something less than the sum of its parts, Matchstick Men is a decent film that should have been a considerably better one.
A lot more fun than most of the director’s pompously inflated output.
What saves Matchstick Men from being a complete washout are the performances by Cage, Sam Rockwell and Alison Lohman.
Mathstick Men se compare aisément ŕ Catch Me If You Can sans atteindre la qualité de Ocean's Eleven.
Despite its string of crime-caper clichés, [director Ridley] Scott’s focus on character and relationship helps the film transcend the typical mediocrity of its genre.
Director Ridley Scott, whose recent history has brought us wonderful action films like Black Hawk Down and Gladiator, translates Eric Garcia’s book about a neurotic con man into a compelling film.
...the sort of light, breezy entertainment that feels a lot more like George Roy Hill or Peter Bogdanovich than it does Ridley Scott.
Latest News for Matchstick Men
August 09, 2006:
Critical Consensus: A Brave New "World," A "Step" Down, And No Screenings for "Pulse" and "Zoom"
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April 05, 2006:
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With everyone buzzing about Paul Greengrass' United 93, another 9/11-centric project has fallen into the background ... for now, anyway. But IGN FilmForce has a few tidbits... More...
September 15, 2005:
Critical Consensus: Critics Thank "Heaven," But Don't Praise The "Lord"
This week at the movies brings us a supernatural romance ("Just Like Heaven"), a jaded arms dealer ("Lord of War") and two experiments in terror... More...
April 08, 2005:
A Stable-Full of Actors Climb On Board for an All-New "Flicka"
The Hollywood Reporter divulges the all-new cast list for the upcoming "Flicka." Based on the Mary O'Hara novel "My Friend Flicka" (which was turned into a... More...
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