Além de trazer aquela que é provavelmente a pior cena dirigida por Capra em sua carreira (o monólogo de Regis Toomey na prefeitura), o filme é um água com açúcar repleto de diálogos patriotas/cristãos patéticos, artificiais e piegas.
Meet John Doe (1941)
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Reviews Counted:13
Fresh:11
Rotten:2
Average Rating:7.2/10
Synopsis: A spunky journalist, fired by the paper's new owners, hatches a clever scheme to get her job back. On her last day of work, she "discovers" a letter written by a man lamenting the selfishness and... A spunky journalist, fired by the paper's new owners, hatches a clever scheme to get her job back. On her last day of work, she "discovers" a letter written by a man lamenting the selfishness and injustice of the world--and announcing his plans to kill himself on Christmas Eve as a protest. The fraudulent missive proves to be a terrific public relations stunt, creating an incredible wave of public support for the man while pushing the paper's readership to an all-time high. But now they need someone to play his role, and they find their reluctant hero in the form of a handsome, naive vagabond. The soft-spoken tramp wants only to make it back to baseball's big leagues, but the common folk love his homespun ways and he soon becomes a candidate for political office. [More]
Starring: Gary Cooper, Barbara Stanwyck, Walter Brennan, James Gleason
Starring: Gary Cooper, Barbara Stanwyck, Walter Brennan, James Gleason, Edward Arnold, Spring Byington, Gene Lockhart, Rod La Rocque, Irving Bacon
Director: Frank Capra
Director: Frank Capra
Producer: Frank Capra
Screenwriter: Robert Riskin
Composer: Dimitri Tiomkin
Reviews for Meet John Doe
One of Capra's most politically problematic parables, from his contradictory approach to the "little people" to the right-wing elements to the compromised ending, in which Cooper is stopped from committing suicide; we think he should have.
Frank Capra's most ambitious and disturbing film, Meet John Doe is possibly more relevant today than when it first appeared in 1941.
This vintage Capra film is the sort of sentimental thing that only he could get away with.
Meet John Doe (1941) is a wonderful, but dark Frank Capra populist melodramatic tale about the common man. The sentimental film is often grouped
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