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Memento (2001)
Tomatometer
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Reviews Counted:135
Fresh:125
Rotten:10
Average Rating:8.1/10
Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.
Runtime: 1 hr 56 mins
Genre: Dramas
US Box Office: $23,844,220
Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox
Director: Christopher Nolan
Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films
Reviews for Memento
Memento is an extraordinary experiment in the science of cinema, with the kind of itchy psychological aftertaste that will make it simultaneously criticized and applauded.
"Memento" is a crime-revenge story that relies on its one big gimmick.
...for all its formal wizardry, ultimately an ice-cold feat of intellectual gamesmanship. Once the novelty wears off, there's nothing left.
In forward progression, the narrative would garner little interest, thus making the reverse storytelling a filmmaker's conceit.
Nolan uses the structure simply as a gimmick to refresh a stale story of revenge, crime, sex, a film noir that never gets any darker than gris.
You might suspect that it's told backwards because telling it forwards would tip us off much sooner that it doesn't make a whole lot of sense.
A con in the mode of Bryan Singer’s The Usual Suspects--the scam of the year.
Those who stay with it will experience perhaps the most dazzling film released so far this year.
Intriguing and accomplished as it was, Memento left me unpersuaded that this trip was really necessary.
Wild, daring, smart and funny, Memento is this year's quirky film-festival hit that deserves to break out of the art houses and into mainstream consciousness.
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