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Memento

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Memento (2001)

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Reviews Counted:32

Fresh:30

Rotten:2

Average Rating:7.7/10

Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.

Runtime: 1 hr 56 mins

Genre: Dramas

US Box Office: $23,844,220

Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]

Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone

Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox

Director: Christopher Nolan

Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films

[See More Credits]

Reviews for Memento

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1 - 12 (sorted by date; Australian critics are listed first)
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Full Review Source: Dark Horizons | comment Comment
10/26/01
Garth Franklin
Garth Franklin
Dark Horizons
Top Critic Icon Top Critic

Memento is an extraordinary experiment in the science of cinema, with the kind of itchy psychological aftertaste that will make it simultaneously criticized and applauded.

Full Review Source: In Film Australia | comment Comment
05/06/01
Luke Buckmaster
Luke Buckmaster
In Film Australia
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N/R

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Full Review Source: Urban Cinefile | comment Comment
04/09/01
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
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A diabolical and absorbing experience.

Full Review Source: Chicago Sun-Times | comment Comment
04/13/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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Memento doesn't just draw you into a dramatic mystery, it makes you aware of human mystery. And that's food for thought and entertainment.

Full Review Source: Washington Post | comment Comment
04/12/01
Desson Thomson
Desson Thomson
Washington Post
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Challenge all viewers and gives them plenty to ponder after the credits roll, the lights go out and they reach the parking lot.

Full Review Source: Washington Post | comment Comment
04/12/01
Rita Kempley
Rita Kempley
Washington Post
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A terrifically compelling little mystery.

Full Review Source: USA Today | comment Comment
03/16/01
Mike Clark
Mike Clark
USA Today
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A brilliant feat of rug-pulling.

Full Review Source: New York Times | comment Comment
03/16/01
A.O. Scott
A.O. Scott
New York Times
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Provocatively structured and thrillingly executed film noir, an intricate, inventive use of cinema's possibilities that pushes what can be done on screen in an unusual direction.

Full Review Source: Los Angeles Times | comment Comment
03/15/01
Kenneth Turan
Kenneth Turan
Los Angeles Times
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N/R

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Full Review Source: Ebert & Roeper | comment Comment
03/08/01
Ebert & Roeper
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The actors do a great job messing with perceptions.

Full Review Source: Empire Magazine | comment Comment
02/07/01
Angie Errigo
Angie Errigo
Empire Magazine
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Deconstructs time and space with Einstein-caliber dexterity in the service of a delectably disturbing tale of revenge.

Full Review Source: Variety | comment Comment
02/07/01
Lisa Nesselson
Lisa Nesselson
Variety
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1 - 12 (sorted by date; Australian critics are listed first)
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