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Memento (2001)
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Reviews Counted:134
Fresh:124
Rotten:10
Average Rating:8.1/10
Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.
Runtime: 1 hr 56 mins
Genre: Dramas
US Box Office: $23,844,220
Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox
Director: Christopher Nolan
Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films
Reviews for Memento
The structure works because it manages to put the viewer in the same state as Leonard.
A completely engrossing experience that demands and deserves multiple viewings.
Brillantemente dirigida y tremendamente innovadora, es una de esas cintas que, literalmente, lo dejarán con el ojo cuadrado.
...a film like "Memento" stands out, dares to challenge, and ultimately gives birth to a new mold of storytelling. It is the jackhammer for our frozen imaginations.
Walking out of Memento, we can be glad that we don't share Leonard's amnesiac condition; it's the kind of film you don't want to forget.
A film that simply gets so much right that there doesn't seem to be anything of real worth left to say about it once you see it.
A joyously twisted Rubik's Cube of a movie. One of the year's best films.
Although gimmicky at times, Memento takes an innovative approach at storytelling that yields a surprising amount of mystery and suspense.
A con in the mode of Bryan Singer’s The Usual Suspects--the scam of the year.
Films so seldom take chances anymore, it’s refreshing to see one that at least tries for something different.
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