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Movies / Upcoming / Memento
Memento

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Memento (2001)

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Reviews Counted:134

Fresh:124

Rotten:10

Average Rating:8.1/10

Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.

Runtime: 1 hr 56 mins

Genre: Dramas

US Box Office: $23,844,220

Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]

Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone

Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox

Director: Christopher Nolan

Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films

[See More Credits]

Reviews for Memento

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81 - 100 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
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Challenge all viewers and gives them plenty to ponder after the credits roll, the lights go out and they reach the parking lot.

Full Review Source: Washington Post | comment Comment
04/12/01
Rita Kempley
Rita Kempley
Washington Post
Top Critic Icon Top Critic

Memento offers a remarkable twist on the revenge thriller -- made even more challenging because the movie starts at the end.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
04/12/01
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

A hard and bright and tough film in all the best ways.

Full Review Source: Oregonian | comment Comment
04/12/01
Shawn Levy
Shawn Levy
Oregonian

Memento is a thriller for people who are sick of thrillers, a puzzle movie in which the puzzle is actually worth the time and effort to solve.

Full Review Source: Chicago Tribune | comment Comment
04/12/01
Mark Caro
Mark Caro
Chicago Tribune

Nolan uses the structure simply as a gimmick to refresh a stale story of revenge, crime, sex, a film noir that never gets any darker than gris.

Full Review Source: New Republic | comment 5 Comments
04/11/01
Stanley Kauffmann
Stanley Kauffmann
New Republic

Somebody ought to buy this guy a Handspring Visor with a digital camera attachment.

Full Review Source: Hollywood Report Card | comment Comment
04/10/01
Ross Anthony
Ross Anthony
Hollywood Report Card

Full of odd, hypnotic menace.

Full Review Source: TIME Magazine | comment Comment
04/09/01
Richard Schickel
Richard Schickel
TIME Magazine

In forward progression, the narrative would garner little interest, thus making the reverse storytelling a filmmaker's conceit.

Full Review Source: Austin Chronicle | comment 5 Comments
04/09/01
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

This is one of the best movies I've seen in years. I haven't felt as exhilarated coming out of a movie since 1998.

Full Review Source: Cinerina | comment Comment
04/07/01
Karina Montgomery
Karina Montgomery
Cinerina

The most original thriller in years.

Full Review Source: South Florida Sun-Sentinel | comment Comment
04/06/01
Todd Anthony
Todd Anthony
South Florida Sun-Sentinel

Nolan is a breath of fresh air as a filmmaker.

Full Review Source: Sacramento Bee | comment Comment
04/06/01
Joe Baltake
Joe Baltake
Sacramento Bee

It will be an unadventurous or lazy filmgoer who doesn't want to play the movie's ingenious game.

comment Comment
04/06/01
Terry Lawson
Terry Lawson
Detroit Free Press

Destined to become a new noir classic.

Full Review Source: Denver Post | comment Comment
04/06/01
Steven Rosen
Steven Rosen
Denver Post

A puzzle thriller about a man with amnesia that turns out to be an intriguing probe of identity, loss, mental instability, mystery, and trust.

Full Review Source: Spirituality and Practice | comment Comment
04/06/01
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

MEMENTO is that rare motion picture that offers a bevy of riches to the audience. It is also the kind of movie that deepens on closer inspection, while multiple viewings are almost required to fully appreciate all it has to offer.

Full Review Source: Murphy's Movie Reviews | comment Comment
04/02/01
Ted Murphy
Ted Murphy
Murphy's Movie Reviews

The sort of picture that is so engrossing that you'll want to come back and see it again soon.

Full Review Source: Internet Reviews | comment Comment
04/02/01
Steve Rhodes
Steve Rhodes
Internet Reviews

It's a weird, murky thriller that toys with your mind, culminating in an unsettling universal truth: "I have to believe that, when my eyes are closed, the world's still here."

Full Review Source: www.susangranger.com | comment Comment
04/02/01
Susan Granger
Susan Granger
www.susangranger.com

Memento's boldest stroke is its ingenious synthesis of structure and theme.

Full Review Source: Toronto Star | comment Comment
03/30/01
Geoff Pevere
Geoff Pevere
Toronto Star

Memento becomes less a fascinating portrait of a damaged man than a typical revenge thriller. But it's still a very cool movie.

Full Review Source: Seattle Times | comment Comment
03/30/01
John Zebrowski
John Zebrowski
Seattle Times

The movie for those of us who have been waiting for something new and original.

Full Review Source: Seattle Post-Intelligencer | comment Comment
03/30/01
William Arnold
William Arnold
Seattle Post-Intelligencer
 
 
81 - 100 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
all

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