A moody craftsman of dazzling vision and skill.
Memento (2001)
Tomatometer
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Reviews Counted:135
Fresh:125
Rotten:10
Average Rating:8.1/10
Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.
Runtime: 1 hr 56 mins
Genre: Dramas
US Box Office: $23,844,220
Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox
Director: Christopher Nolan
Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films
Reviews for Memento
When it comes to making a Top 10 list for 2001, one title I won't forget is Memento.
The movie forces you to work, but any puzzle addict will be exhilarated by the effort.
Deconstructs time and space with Einstein-caliber dexterity in the service of a delectably disturbing tale of revenge.
This is virtuoso filmmaking, stylistically dazzling and head-scratchingly intricate.
A thinking person's thriller with some occasionally startling albeit split-second sounds and striking imagery, Nolan's movie is an original.
That rare film that needs -- and deserves -- second viewings. It's that unique.
The whole backward thing might sound gimmicky, but it works extremely well -- redefining terms like 'intricate thriller' and 'broken time.'
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