The text is wonderful, Radford’s film has some fine performances from Jeremy Irons and Joseph Fiennes, and he makes good use of Venice locations.
William Shakespeare's The Merchant of Venice (2004)
Tomatometer
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Reviews Counted:121
Fresh:86
Rotten:35
Average Rating:6.7/10
Consensus: A respectable if uneven take on the Bard's The Merchant of Venice.
Runtime: 2 hrs 11 mins
Genre: Dramas
US Box Office: $3,752,725
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock,... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox, Heather Goldenhersh, Lynn Collins, Kris Marshall
Director: Michael Radford
Director: Michael Radford
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
Studio: Sony Pictures Classics
Reviews for William Shakespeare's The Merchant of Venice
We see what an actor's actor Pacino can be: he's careful and watchful; respectful of other actors' timing; and says his lines perfectly, resisting all temptation to grandstand.
A richly cinematic and robust rendition of Shakespeare's pre-political correctness play about the place of Jews in anti-Semitic 16th century Venice, Michael Radford's film takes delight in dramatics thus pulling us into the story.
It has taken 5 years for Michael Radford's splendid interpretation of Shakespeare's play to come to Australia and it is worth the wait.
It is really a pleasure to watch a masterful actor like Al Pacino wring every nuance out of the multifarious character of Shylock.
Pacino is at least dynamic, something harder to say about the women in the cast.
It's the perfect cinematic vehicle -- or at least it would have been, if Radford's adaptation weren't so unremittingly cloddish.
Pacino shapes the role masterfully. He not only rises to the role's extremes of villainous melodrama, he fills them, rendering them both theatrical and believable
This is Al Pacino's show, and thankfully his Shylock is absorbing enough to carry the day.
It veers from real conviction to panto, but Radford is clearly committed to the play's relevance, while Pacino, the Shakespeare addict, is a joy to watch.
It tilts so far in one direction that the comic elements seem to come from another, lesser film.
With a running time of over two hours, I was ready to pay with a pound of my flesh for The Merchant of Venice to close shop already.
Merchant of Venice is such a blatantly anti-Semitic work that a modernization seems imprudent.
Shakespeare needs no special effects or short-sighted novelties. Michael Radford's straightforward telling of The Merchant of Venice does the great play justice.
Latest News for William Shakespeare's The Merchant of...
February 04, 2009:
Al Pacino Is King Lear ![]()
Al Pacino and Michael Radford are having a Shakespeare reunion: the "Merchant of Venice" star and director are re-teaming for a "King Lear" adaptation, with Pacino in the title... More...
July 13, 2006:
Kidman & Pacino in "Prosecution" Remake?
Billy Wilder's 1957 film "Witness for the Prosecution" is rather excellent, which is why most (old) movie fans will take exception to the news that ... a remake is... More...
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