Ask ten people who've seen this movie what the title's "miracle" is referring to, and you'll get a couple of different guesses and a whole lot of blank stares and shrugs.
Miracle at St. Anna (2008)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:113
Fresh:38
Rotten:75
Average Rating:5.2/10
Consensus: Miracle at St. Anna is a well-intentioned but overlong, disjointed affair that hits few of the right notes.
Runtime: 2 hrs 46 mins
Genre: Dramas
US Box Office: $7,756,328
Synopsis: All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most... All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most subtle director, Lee has consistently challenged both his audience and himself. His step into genre filmmaking with 2006's INSIDE MAN was a delightful surprise, and though he continues down this road somewhat with the World War II film MIRACLE AT ST. ANNA, he also returns with force to the realm of the big idea. The first film ever to tell the story of the Army's all African-American Buffalo Soldier unit, MIRACLE AT ST. ANNA is inherently an important film. Yet rather than allow it to stand on its own as simply a war picture starring African-American actors, Lee takes on myriad social and historical discussions. Based on the novel of the same name by James McBride (who also wrote the script), the movie follows four soldiers as they take refuge in an Italian village after being cut off from their platoon. There are various supernatural elements to the film, the most pronounced of which is a mysterious statue head that one soldier acquires and refuses to part with. There's also a framing device involving a murder nearly 40 years after the conclusion of the war; add to that a subplot involving the Italian resistance movement, and it's easy to get a bit lost in this Byzantine tale. Still, Lee is never anything less than passionate about his subjects, and with MIRACLE AT ST. ANNA he brings that fire to a story that took decades to come to the big screen. Perhaps not the most definitive "Spike Lee Joint," MIRACLE remains a noteworthy film in the canon of one of America's most important filmmakers. [More]
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Matteo Sciabordi, John Leguizamo, Joseph Gordon-Levitt, Pierfrancesco Favino, Valentina Cervi
Director: Spike Lee
Director: Spike Lee
Screenwriter: James McBride
Producer: Spike Lee, Roberto Cicutto, Luigi Musini
Composer: Terence Blanchard
Studio: Touchstone Pictures
Reviews for Miracle at St. Anna
Lee ... has created a brilliant war movie that encompasses many elements, but manages to engage us with all of the stories within the story he wants to tell.
Spike Lee's intent to pay tribute to the role of black soldiers in WWII is honorable, but the film is poorly conceived and executed, unfolding as a sprawling, overlong, dull saga that's shapeless both narratively and stylistically.
An overdue history lesson about the indelible stain left by Jim Crow on the conflicted minds of black men forced to wage a white man's war when they'd really prefer to be fighting for their own civil rights.
Lee's intention was to show the contributions of African American soldiers. However, he does these men a disservice by perpetuating the very stereotypes that he rails against.
As another example of Lee settling scores, it ruins its own premise by attempting to out-do Saving Private Ryan.
Miracle is, by turns, a dazzling, dim, lucid, confounding, absorbing, tedious, silly, profound, bloody and bracing account of four African American infantrymen separated from their Buffalo Soldiers unit in Tuscany during World War II.
What the hell happened to Spike Lee? Where did the brilliant director with the fresh, edgy and inventive ideas go?
Half way through it becomes clear the ending doesn't matter compared to the journey, I just don't know if Spike Lee feels the same way.
Lee shows his grittiness by allowing everyone to speak in their native languages. My hat's off to him for that. I'm not a fan of war films where all opposing sides speak English.
Lee brings a maturing sensibility and a talent for ensemble performance to a tale that is loving, angry and profoundly American.
There are many mysteries on hand in "Miracle at St. Anna" but the biggest mystery of all is how anyone could have deemed the rambling and seriously undisciplined screenplay by James Baldwin ready for filming.
The combination of Lee's concerns for his characters' depictions with Disney's concerns for mass-market appeal ends up pleasing no one.
The 166-minute running time is less the result of epic sweep than of Lee's tendency to digression, repetition and sentiment, which thwart dramatic tension and clarity and cause swings in tone.
Setting the record straight after so many years and so many movies is not necessarily a simple undertaking, and this film sometimes stumbles under its heavy, self-imposed burden of historical significance.
Lee's creative passion is apparent throughout Miracle at St. Anna, but the screenplay lets him, and the audience, down.
Mr. Lee has stretched his material in so many different directions that one is left with unacceptable levels of religiosity and sentimentality in the overall context of the naked brutality we have witnessed.
It might have been easily trimmed by a half hour, which is a shame, because there are so many good moments buried in there -- a proverbial two-hour movie struggling to get out.
Overwrought, overproduced, overbusy and overlong, Miracle at St. Anna finally suffers from the worst filmmaking sin of all: the failure of trust, in the story and the audience.
Latest News for Miracle at St. Anna
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
September 28, 2008:
Bravery of Buffalo Soldiers belatedly acknowledged by Spike Lee's WWII saga. ![]()
More...
September 25, 2008:
Box Office Guru Preview: Shia Eyes Another #1 Hit
Indy Jr. looks to seize control of the North American box office with the new action thriller Eagle Eye which leads a new pack of candidates heading into the multiplexes on... More...
September 24, 2008:
Total Recall: We Rank Spike Lee's Joints
This week, Spike Lee's Miracle at St. Anna hits
theaters, telling the story of the struggle of African American soldiers in World War II. So RT thought it would be a good time... More...
More Movies
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 70% 70% | Where the Wild Things Are | 03/12 |
| 84% 84% | Paranormal Activity | 03/12 |
| 89% 89% | Zombieland | 03/12 |
| 76% 76% | The Informant! | 03/12 |
| | The Strength of Water | 03/12 |
What’s Hot On RT
Other News
Sponsored Links
Around The Network
- Miracle at St. Anna at Rotten Tomatoes
- Miracle at St. Anna at IGN
Fresh Links
Featured

Tim Burton's costume designer talks to Movieline about her long collaboration with the filmmaker and Johnny Depp.

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

We've got 20 copies of the hit TV series' Pilot Episode to giveaway.

Double passes up for grabs to the new comedy starring Paul Giamatti.

Get all the latest movie updates, reviews, interviews and features here.
Competitions

Enough Prequel, Original Trilogy and Family Guy DVDs to fill a space cruiser

Everything from Dr. No to Quantum of Solace could be yours.

We're giving away the 10th Anniversary Blu-ray, plus Braveheart and the Rocky collection



Top Critic

