Hidden within the two hours and 40 minutes is a very good, much smaller film, and it's worth seeking out.
Miracle at St. Anna (2008)
Tomatometer
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Reviews Counted:113
Fresh:38
Rotten:75
Average Rating:5.2/10
Consensus: Miracle at St. Anna is a well-intentioned but overlong, disjointed affair that hits few of the right notes.
Runtime: 2 hrs 46 mins
Genre: Dramas
US Box Office: $7,756,328
Synopsis: All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most... All Spike Lee's movies, from SHE'S GOTTA HAVE IT forward, have tackled big ideas head-on using wide strokes to a paint a picture that is both impressionistic and realistic. Though not the most subtle director, Lee has consistently challenged both his audience and himself. His step into genre filmmaking with 2006's INSIDE MAN was a delightful surprise, and though he continues down this road somewhat with the World War II film MIRACLE AT ST. ANNA, he also returns with force to the realm of the big idea. The first film ever to tell the story of the Army's all African-American Buffalo Soldier unit, MIRACLE AT ST. ANNA is inherently an important film. Yet rather than allow it to stand on its own as simply a war picture starring African-American actors, Lee takes on myriad social and historical discussions. Based on the novel of the same name by James McBride (who also wrote the script), the movie follows four soldiers as they take refuge in an Italian village after being cut off from their platoon. There are various supernatural elements to the film, the most pronounced of which is a mysterious statue head that one soldier acquires and refuses to part with. There's also a framing device involving a murder nearly 40 years after the conclusion of the war; add to that a subplot involving the Italian resistance movement, and it's easy to get a bit lost in this Byzantine tale. Still, Lee is never anything less than passionate about his subjects, and with MIRACLE AT ST. ANNA he brings that fire to a story that took decades to come to the big screen. Perhaps not the most definitive "Spike Lee Joint," MIRACLE remains a noteworthy film in the canon of one of America's most important filmmakers. [More]
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Matteo Sciabordi, John Leguizamo, Joseph Gordon-Levitt, Pierfrancesco Favino, Valentina Cervi
Director: Spike Lee
Director: Spike Lee
Screenwriter: James McBride
Producer: Spike Lee, Roberto Cicutto, Luigi Musini
Composer: Terence Blanchard
Studio: Touchstone Pictures
Reviews for Miracle at St. Anna
A dollop of Saving Private Ryan, a dash of Letters from Iwo Jima, and a sprinkle of Italian neorealism characterize the style and sentiment of Miracle at St. Anna.
Maudlin climax leaves a treacly residue of exaggerated valor and sentiment.
There may be a subtle bone somewhere in Spike Lee, but it would take a team of skilled surgeons to find it.
Half way through it becomes clear the ending doesn't matter compared to the journey, I just don't know if Spike Lee feels the same way.
It's impossible not to admire what Lee has wrought here, and the evident passion with which it has been brought to the screen. However, the realization is flawed, and those flaws make this 160-minute epic feel a little too much like an ordeal.
Finds Lee surprisingly off his game with an ambitious project that aims big but achieves little.
A messy patchwork of ideas spinning off every which way...but failing to be good doesn't mean that it's not interesting.
There are endearing moments but we're in a Spike Lee world where it's okay to interject his "black vs. the privileged white-man" lecture time and again to the detriment of the film.
There's no moviemaking miracle at work here, just a half-baked project that might be Lee's biggest disappointment to date.
A World War II story of four black soldiers that is lifted above its confusing subplots and multiple characters by two magical moments of compassion.
Spike Lee has turned in an odd hybrid of a film--a 160 minute war epic combined with a crime thriller combined with a discourse on civil rights.
Problematic as a narrative...[but] Lee's simply too smart and talented to make a dismissible film. [Blu-ray]
Lee's intention was to show the contributions of African American soldiers. However, he does these men a disservice by perpetuating the very stereotypes that he rails against.
It's always engaging, but the constant tonal shifts sometimes disjoint what should have been a seamless narrative.
At least it’s a good-looking movie, with fine cinematography and production design. But Lee’s heart isn’t in this one … and it shows.
The agenda is obvious, but the rage feels justified, and meanwhile Lee gives us a few virtuoso touches.
I didn't mind the long run time (now, there's a miracle) but there were too many down moments that could have been done without.
Full of cliches and the very stereotypes against which director Spike Lee rails, "Miracle at St. Anna" is a television movie that's far below the capabilities of one of the most talented living film directors.
Latest News for Miracle at St. Anna
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
September 28, 2008:
Bravery of Buffalo Soldiers belatedly acknowledged by Spike Lee's WWII saga. ![]()
More...
September 25, 2008:
Box Office Guru Preview: Shia Eyes Another #1 Hit
Indy Jr. looks to seize control of the North American box office with the new action thriller Eagle Eye which leads a new pack of candidates heading into the multiplexes on... More...
September 24, 2008:
Total Recall: We Rank Spike Lee's Joints
This week, Spike Lee's Miracle at St. Anna hits
theaters, telling the story of the struggle of African American soldiers in World War II. So RT thought it would be a good time... More...
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