Chaplin's sentimental but keenly satirical swipe at the mechanization of everyday life is by consensus the last of the great silent features.
Modern Times (1936)
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Reviews Counted:47
Fresh:47
Rotten:0
Average Rating:8.9/10
Consensus: A slapstick skewering of industrialized America, Modern Times is as politically incisive as it is laugh-out-loud hilarious.
Synopsis: Charlie Chaplin bid farewell to silent comedy with this funny and poignant masterpiece. Here Chaplin stars as a factory worker fed-up with the job and his tyrannical boss (who keeps an eye on all... Charlie Chaplin bid farewell to silent comedy with this funny and poignant masterpiece. Here Chaplin stars as a factory worker fed-up with the job and his tyrannical boss (who keeps an eye on all his employees via a big-brother TV monitor). When he meets and falls in love with an orphaned street waif, the two dream of a nice suburban existence...but the cops are never far behind, chasing the vagabond couple. [More]
Starring: Charlie Chaplin, Paulette Goddard, Henry Bergman, Chester Conklin
Starring: Charlie Chaplin, Paulette Goddard, Henry Bergman, Chester Conklin, Tiny Sandford, Hank Mann, Stanley Blystone, Allan Garcia
Director: Charlie Chaplin
Director: Charlie Chaplin
Producer: Charlie Chaplin
Screenwriter: Charlie Chaplin
Composer: Charlie Chaplin, Alfred Newman
Reviews for Modern Times
The picture is a two-hour almost continuous gale of laughter with sidesplitting gags generously distributed throughout the five major sequences and the several minor ones.
Sometimes sentimental yet highly comical, Chaplin's anti-industrialisation statement is wholly idealistic but its topical reflection on industrial paranoia still resonates today.
It is a gay, impudent and sentimental pantomimic comedy in which even the anachronisms are often as becoming as Charlie Chaplin's cane.
The mechanical feeding sequence in Modern Times is probably the funniest routine in cinema history.
It's the coldest of [Chaplin's] major features, though no less brilliant for it.
Chaplin's last silent and the last time he uses his signature character of the Little Tramp.
Chaplin's political and philosophical naivety now seems as remarkable as his gift for pantomime.
Do you have to be reminded that Chaplin is a master of pantomime? Time has not changed his genius.
Charlie Chaplin is the Orson Welles of comedy. One of his funniest silent films is Modern Times, a brilliant spoof on technology that's more stinging today than back in its 1936 release year.
Latest News for Modern Times
June 22, 2007:
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