It is a gay, impudent and sentimental pantomimic comedy in which even the anachronisms are often as becoming as Charlie Chaplin's cane.
Modern Times (1936)
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Reviews Counted:47
Fresh:47
Rotten:0
Average Rating:8.9/10
Consensus: A slapstick skewering of industrialized America, Modern Times is as politically incisive as it is laugh-out-loud hilarious.
Synopsis: Charlie Chaplin bid farewell to silent comedy with this funny and poignant masterpiece. Here Chaplin stars as a factory worker fed-up with the job and his tyrannical boss (who keeps an eye on all... Charlie Chaplin bid farewell to silent comedy with this funny and poignant masterpiece. Here Chaplin stars as a factory worker fed-up with the job and his tyrannical boss (who keeps an eye on all his employees via a big-brother TV monitor). When he meets and falls in love with an orphaned street waif, the two dream of a nice suburban existence...but the cops are never far behind, chasing the vagabond couple. [More]
Starring: Charlie Chaplin, Paulette Goddard, Henry Bergman, Chester Conklin
Starring: Charlie Chaplin, Paulette Goddard, Henry Bergman, Chester Conklin, Tiny Sandford, Hank Mann, Stanley Blystone, Allan Garcia
Director: Charlie Chaplin
Director: Charlie Chaplin
Producer: Charlie Chaplin
Screenwriter: Charlie Chaplin
Composer: Charlie Chaplin, Alfred Newman
Reviews for Modern Times
Sometimes sentimental yet highly comical, Chaplin's anti-industrialisation statement is wholly idealistic but its topical reflection on industrial paranoia still resonates today.
One of the many remarkable things about Charlie Chaplin is that his films continue to hold up, to attract and delight audiences.
The picture is grand fun and sound entertainment, though silent. It's the old Chaplin at his best, looking at his best -- young, pathetic and a very funny guy.
It's the coldest of [Chaplin's] major features, though no less brilliant for it.
The opening sequence in Chaplin's second Depression masterpiece, of the Tramp on the assembly line, is possibly his greatest slapstick encounter with the 20th century.
Chaplin's political and philosophical naivety now seems as remarkable as his gift for pantomime.
What we have is not just a story about a funny little man, but a morality fable, or cautionary tale, about people on the chuckholed road to the American Dream.
Do you have to be reminded that Chaplin is a master of pantomime? Time has not changed his genius.
An artist with vision swimming against a tide we know will eventually win.
Chaplin's last silent and the last time he uses his signature character of the Little Tramp.
Latest News for Modern Times
June 22, 2007:
AFI Announces Top 100 Movies of All Time ... Again
Ten years ago the AFI gave us a list of the Top 100 American Films Ever Made -- and when that was done they churned out 15 other lists every few years. And then last night they... More...
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