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Mona Lisa Smile (2003)
Tomatometer
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Reviews Counted:146
Fresh:51
Rotten:95
Average Rating:4.9/10
Consensus: Though Mona Lisa Smile espouses the value of breaking barriers, the movie itself is predictable and safe.
Runtime: 2 hrs 5 mins
Genre: Dramas
US Box Office: $63,695,760
Synopsis: Mike Newell's MONA LISA SMILE is a pretty period film that combines a quaint pedagogical tale with a feminist dissection of traditional female roles in 1950s society. Julia Roberts leads an... Mike Newell's MONA LISA SMILE is a pretty period film that combines a quaint pedagogical tale with a feminist dissection of traditional female roles in 1950s society. Julia Roberts leads an impressive cast of top young actresses including Maggie Gyllenhaal, Kirsten Dunst, and Julia Stiles. Roberts is Katherine Watson, a revolutionary art history teacher at Wellesley College in 1953. Though she has true admiration for her intelligent all-female students, she is perturbed that their interest in finding husbands takes precedence over their studies. Determined to instruct them in feminist values and teach them to be independent--defying the college's emphasis on breeding good wives, mothers, and homemakers--Watson is deemed subversive by the administration. Even Watson's identity--from California, over 30 years old, and unmarried--is problematic. And when she turns her class onto modern art rather than teaching the recommended classical curriculum, Watson is severely chastised by the staunchly conservative students and faculty. Beautiful photography of the picture-perfect Wellesley campus combined with a perpetual parade of lovely period costumes makes MONA LISA SMILE a visual delight. Strong performances by each of the actresses, including Dunst uncharacteristically cast as a prim and proper prude, and Marcia Gay Harden as a boring tv-addicted spinster, only add to the splendor of this enjoyable film. [More]
Starring: Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst, Julia Stiles
Starring: Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst, Julia Stiles, Marcia Gay Harden, Dominic West, Ginnifer Goodwin, Topher Grace, Juliet Stevenson
Director: Mike Newell
Director: Mike Newell
Screenwriter: Mark Rosenthal, Lawrence Konner
Producer: Elaine Goldsmith, Deborah Schindler, Paul Schiff
Composer: Rachel Portman
Studio: Columbia Pictures
Reviews for Mona Lisa Smile
Sadly, the predictability factor of Mona is simply off the charts -- you can almost recite the dialogue before it rolls off the students' well-developed palates, and the course it follows is a well-rutted road.
A strangely mixed blessing filled with glossy production values and vibrant supporting performances but suffers mightily from a lack of credibility and the grinding predictability of its plot.
Its tidy conclusion belies the fact that the film doesn't know what it wants to be - serious drama, thorny romance, or a searing commentary on the changing times.
May not be the personably 'serious' movie it sees itself as -- and it may miss its mark by aiming too intently at its target -- but it still manages to work on other, more simplistic levels that are nevertheless valid.
...fights battles that were won decades ago... but avoids pat resolutions...
Newell tries to make a profound film that challenges the social standards of the 1950s, but all he does is throw some stereotypes up against some other stereotypes.
This is not a feminist movie. It even feels at times like a step back, partly because the cliches are so tired.
An ironically conformist piece of mock-intellectual fluff... [and] such an appalling waste of talent it actually made me mad. Scratch that - furious.
When was the last time you saw a mainstream movie with big, flashy stars that featured a fairly sophisticated discussion of the nature of art?
It's arthritic issues and pushy point of view add up to a grade that won't earn anyone here a diploma.
Roberts' character may be presented as a breath of fresh air, but the movie surrounding her is the cinematic equivalent of halitosis.
Pays tribute to a bohemian teacher who tests her idealism in the conservative milieu of Wellesley College in the Fifties.
The universally terrific performances by the cast make it a pleasure to watch.
This is a film of frequently pleasant surfaces, but there's no heat deep down inside.
Mona Lisa Smile's lesson of the day is delivered in an unoriginal manner through such shallow and unlikable characters that its message lacks an emotional punch.
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