A conformist fantasy disguised as a valentine to female empowerment.
Mona Lisa Smile (2003)
Tomatometer
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Reviews Counted:146
Fresh:51
Rotten:95
Average Rating:4.9/10
Consensus: Though Mona Lisa Smile espouses the value of breaking barriers, the movie itself is predictable and safe.
Runtime: 2 hrs 5 mins
Genre: Dramas
US Box Office: $63,695,760
Synopsis: Mike Newell's MONA LISA SMILE is a pretty period film that combines a quaint pedagogical tale with a feminist dissection of traditional female roles in 1950s society. Julia Roberts leads an... Mike Newell's MONA LISA SMILE is a pretty period film that combines a quaint pedagogical tale with a feminist dissection of traditional female roles in 1950s society. Julia Roberts leads an impressive cast of top young actresses including Maggie Gyllenhaal, Kirsten Dunst, and Julia Stiles. Roberts is Katherine Watson, a revolutionary art history teacher at Wellesley College in 1953. Though she has true admiration for her intelligent all-female students, she is perturbed that their interest in finding husbands takes precedence over their studies. Determined to instruct them in feminist values and teach them to be independent--defying the college's emphasis on breeding good wives, mothers, and homemakers--Watson is deemed subversive by the administration. Even Watson's identity--from California, over 30 years old, and unmarried--is problematic. And when she turns her class onto modern art rather than teaching the recommended classical curriculum, Watson is severely chastised by the staunchly conservative students and faculty. Beautiful photography of the picture-perfect Wellesley campus combined with a perpetual parade of lovely period costumes makes MONA LISA SMILE a visual delight. Strong performances by each of the actresses, including Dunst uncharacteristically cast as a prim and proper prude, and Marcia Gay Harden as a boring tv-addicted spinster, only add to the splendor of this enjoyable film. [More]
Starring: Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst, Julia Stiles
Starring: Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst, Julia Stiles, Marcia Gay Harden, Dominic West, Ginnifer Goodwin, Topher Grace, Juliet Stevenson
Director: Mike Newell
Director: Mike Newell
Screenwriter: Mark Rosenthal, Lawrence Konner
Producer: Elaine Goldsmith, Deborah Schindler, Paul Schiff
Composer: Rachel Portman
Studio: Columbia Pictures
Reviews for Mona Lisa Smile
Takes a brave political stand and boldly asserts that women, like men, deserve a college education
A well written script can give a better slice of life depiction than a whole season of Rich Girls and The Simple Life. Interesting characters make it worthwhile.
Teacher-and-student drama has all the "right" answers; too bad it feels like a cheat.
if it doesn't have any profound insights to share, at least director Mike Newell's film doesn't traffic in suffocating sentimentality or 'those were the days' daydreaminess.
I refuse to believe that Julia Roberts came to Wellesley, saw these complicated people, and proceeded to make them all unfailingly happy in 115 minutes.
A strangely mixed blessing filled with glossy production values and vibrant supporting performances but suffers mightily from a lack of credibility and the grinding predictability of its plot.
If the women of the 1950s were really this stupid, there would have never been a feminism movement.
The movie thinks it's blazing new trails in the name of feminism, when the paths it walks thankfully have long been charred.
[Mona Lisa Smile] lets us spend some quality time with some of the finest actresses in American film as they give energetic life to one of the most radically underrepresented minorities in Hollywood: the intelligent woman.
Serviceable performances from the principals underscore the film's functionality, giving modern star power to its paint-by-numbers plot.
For a movie that superficially encourages free thinking, each plot development is strictly formulaic.
It's an estrogen-soaked version of Dead Poets Society, stripped of any weight or significance.
The college atmosphere is almost never convincing, and sentimentality trumps substance at every opportunity.
Strictly a paint-by-numbers affair. No shading. Little in the way of perspective. To call it one-dimensional would be an act of charity.
Sadly, the predictability factor of Mona is simply off the charts -- you can almost recite the dialogue before it rolls off the students' well-developed palates, and the course it follows is a well-rutted road.
I must say that I enjoyed Mona Lisa Smile enormously, in large part because of the sheer virtuosity of the largely female cast.
Latest News for Mona Lisa Smile
February 07, 2007:
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