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Murder, My Sweet (1944)
Tomatometer
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Reviews Counted:14
Fresh:13
Rotten:1
Average Rating:7.7/10
Synopsis: Director Edward Dmytryk put himself on the map with this impressionistic adaptation of Raymond Chandler's detective novel FAREWELL, MY LOVELY. It was also a big turning point in the career of Dick... Director Edward Dmytryk put himself on the map with this impressionistic adaptation of Raymond Chandler's detective novel FAREWELL, MY LOVELY. It was also a big turning point in the career of Dick Powell, who before this film was known only as a young male lead in countless musicals opposite Ruby Keeler and Joan Blondell. Here he shows grittiness and snap as the hard-boiled detective Phillip Marlowe, who finds himself ensnared in an elaborate net of murder and deceit. At the center of the mystery is a missing jade necklace and a dim-witted but dangerous thug named Moose (Mike Mazurki) who's hired Marlowe to find his lost girlfriend, Velma. In one memorable sequence, Marlowe finds himself vividly hallucinating after waking from a drug-induced stupor. He also gets beaten up and later seduced by a mysterious hard-as-nails blonde (Claire Trevor). Otto Kruger, Miles Mander, Anne Shirley, and Ralf Harolde are but a few of the interesting faces in the cast. Film noir doesn't get much blacker or more enjoyable than this moody classic. [More]
Starring: Dick Powell, Claire Trevor, Anne Shirley, Mike Mazurki
Starring: Dick Powell, Claire Trevor, Anne Shirley, Mike Mazurki, Miles Mander, Douglas Walton, Ralf Harolde, Esther Howard, Shimen Ruskin
Director: Edward Dmytryk
Director: Edward Dmytryk
Producer: Adrian Scott
Screenwriter: John Paxton
Story: Raymond Chandler
Composer: Roy Webb
Reviews for Murder, My Sweet
From its strongly accented camera angles and darkness-drenched nighttime action to the hardboiled narration of a cynical Los Angeles gumshoe outfitted in trenchcoat and fedora, Murder, My Sweet is pure Detective Noir 101.
Offers a delirious blend of violence, drug-induced hallucinations, and sexuality.
Any way you look at it, 1944 was a great year for fans of Raymond Chandler and film noir.
What really fills out the film is Dmytryk’s jazzy application of Orson Welles’s RKO set-design.
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