Jared Hess's far too self consciously campy comedy that takes a one-note joke and beats that dead horse until it's a fine paste splayed all over the ground
Nacho Libre (2006)
Tomatometer
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Reviews Counted:159
Fresh:62
Rotten:97
Average Rating:5/10
Consensus: At times hilarious, but other times offensive, Director Jared Hess is unable to recapture the collective charisma of his Napoleon characters, instead relying on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however.
Runtime: 1 hr 40 mins
Genre: Comedies
US Box Office: $80,197,993
Synopsis: Celebrating the triumphs and tribulations of the lovable loser is no easy thing, but filmmaker Jared Hess seems to thrive in this specific cinematic exercise. Working fresh off the success of... Celebrating the triumphs and tribulations of the lovable loser is no easy thing, but filmmaker Jared Hess seems to thrive in this specific cinematic exercise. Working fresh off the success of NAPOLEON DYNAMITE, Hess finds a similarly endearing hero-without-a-clue in Ignacio, played by Jack Black (HIGH FIDELITY, KING KONG), the title character in NACHO LIBRE. Ignacio, growing up in a poor monastery in Mexico, has dreamed of being a professional wrestler since childhood. This obsession has led him to a thankless adult existence as monastery whipping-boy and chef, serving stale, day-old nacho chips to finicky orphans. In an effort to earn the respect of new nun-hottie Sister Encarnacion (Ana De La Reguera) and escape the monastery into the greedy excess of pro wrestling, Ignacio enters a local amateur competition. Along the way, he picks up the notably scrawny yet tough street urchin Esqueleto (Hector Jimenez) as his tag-team partner. The duo hilariously loses badly and repeatedly to all manner of local wrestling oddities. It is only when Ignacio recognizes a higher goal than money and glory that he can truly compete with his professional idols, including the dreaded and evil champion Ramses. Co-written with Hess's writing partner and wife, Jerusha, and noted screenwriter Mike White (CHUCK & BUCK, SCHOOL OF ROCK), NACHO LIBRE is stocked with real-life wrestlers doing their thing. Jack Black's over-the-top physical humor blends in perfectly with repeated viewings of his "stretchie pants" and timely flatulence. In concert, the elements fuse to distill a comedy that should appeal to all ages eager to be pinned down in a full-nelson by laughter. [More]
Starring: Jack Black, Ana DeLa Reguera, Hector Jiminez, Peter Stormare
Starring: Jack Black, Ana DeLa Reguera, Hector Jiminez, Peter Stormare, Darius Rose
Director: Jared Hess
Director: Jared Hess
Screenwriter: Mike White, Jerusha Hess
Producer: Mike White, Jack Black
Composer: Danny Elfman
Studio: Paramount Pictures
Reviews for Nacho Libre
It's more outrageous than hilarious, yet Nacho Libre has the same kind of sweet poignancy its filmmaker Jared Hess brought to his 2004 cult hit Napoleon Dynamite.
I really did want to like this film, but I found it pedantic and dull. I actually dozed off in the middle, and I haven't done that since Elizabethtown.
The only gag here, as far as I can tell, is Black squeezing himself into a pair of red tights and prancing around like a mental patient. Funny yes, but over the course of an hour and a half, it wears a wee thin.
Nacho Libre can be giddily hilarious and has many solid, silly laughs, but it runs out of flips and tricks -- and steam -- about halfway through.
Sometimes it looks like a movie that was more fun to make than it is to watch.
As in Napoleon Dynamite, there are catchphrases galore, but precious few that stick with you past the theatre parking lot.
Hess seems intent on proving that lowbrow American slapstick comedies can be as slow and deliberate as the films of Robert Bresson.
Puts another monkey on Jack Black's back, but this time it isn't several stories tall, it doesn't have a thing for blondes and it doesn't famously destroy New York real estate. In this case, it's the script.
Very broad and very silly, it's a doodle of a comedy -- a one-joke idea (fat guy goes luchador) padded out to feature length by Black's willingness to do anything for a laugh.
As often as Black's paunchy antics connect, Hess' patchy comedy may have you saying, 'No mas.'
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