Never Die Alone is urban exploitation so badly written it sacrifices any claim to authenticity, with performances so uniformly awful it could be a meeting of Bad Actors Anonymous.
Never Die Alone (2004)
Tomatometer
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Reviews Counted:88
Fresh:23
Rotten:65
Average Rating:4.1/10
Consensus: DMX's menacing charisma is put to good use in this stylish but hackneyed modern-day noir.
Runtime: 89 mins
Genre: Action/Adventure
US Box Office: $5,531,230
Synopsis: Based on cult novelist Donald Goines’ novel of the same name, NEVER DIE ALONE is a richly literate film noir about King David (DMX), a hard-boiled, stylish criminal who returns to his hometown... Based on cult novelist Donald Goines’ novel of the same name, NEVER DIE ALONE is a richly literate film noir about King David (DMX), a hard-boiled, stylish criminal who returns to his hometown seeking redemption but finding only violent death. But he did not die alone...King David’s final moments are spent with Paul (David Arquette) an aspiring journalist who knew him just a few minutes but upon whose life he would forever have an impact. King David – half preacher, half Satan, and all street smarts – had recorded the story of his recent exploits on audiotape, leaving behind an often-poetic sermon on villainy and its consequences. The tapes reveal that the cycle of violence and retribution his actions have spawned has come back on him full circle, as he suspected it might all along... One of the most prolific and widely read black authors of his generation, Donald Goines wrote his first two books while incarcerated, and followed those with an astonishing 16 novels written from the time he was released from prison in 1970 until he was shot to death in 1974. The film is directed by Ernest Dickerson whose directorial debut was the 1992 drama JUICE, starring Omar Epps and the late Tupac Shakur. Previously Dickerson served as Director of Photography on seven of Spike Lee’s early films up to and including MALCOLM X. He has directed a number of feature and made-for-TV films from the recent horror movie BONES starring Snoop Dogg to the Peabody Award-winning Showtime movie "Strange Justice," based on the controversy surrounding Anita Hill and Clarence Thomas. Dickerson most recently directed the drama GOOD FENCES, starring Danny Glover and Whoopi Goldberg, which had its world premiere at the 2003 Sundance Film Festival. DMX is a top rap artist who has also found great success in the film business. He starred opposite Jet Li in CRADLE 2 THE GRAVE and also appeared in BELLY, ROMEO MUST DIE and EXIT WOUNDS, for which he received a Blockbuster Breakthrough Actor nomination. His first four albums debuted at number one and sold well over 22 million records in just four years. David Arquette starred in the box office smash hits SCREAM 1, 2 and 3, which won him the Blockbuster Favorite Actor Award in 1998. For his leading role in NEVER BEEN KISSED, he was awarded the 2000 Blockbuster Award for Favorite Supporting Actor. He recently drew acclaim for his portrayal of an inmate at Auschwitz II-Birkenau in Tim Blake Nelson’s drama THE GREY ZONE. -- © Fox Searchlight [More]
Starring: DMX, David Arquette, Michael Ealy, Reagan Preston-Gomez
Starring: DMX, David Arquette, Michael Ealy, Reagan Preston-Gomez, Clifton Powell
Director: Ernest R. Dickerson
Director: Ernest R. Dickerson
Screenwriter: James Gibson
Producer: Earl Simmons, Alessandro Camon
Composer: George Duke
Studio: Fox Searchlight Pictures
Reviews for Never Die Alone
It's hard to imagine a more disturbingly woman-hating movie than Never Die Alone.
Never Die Alone is [Dickerson's] best work to date, with the complexity of serious fiction and the nerve to start dark and stay dark, to follow the logic of its story right down to its inevitable end.
A flashy but ultimately routine saga of gangsta criminality and payback.
You [may] wish this movie had died alone before you bought the ticket.
Never Die Alone succeeds only in being so bad that, as the final scenes roll, it is very funny, albeit unintentionally so.
DMX unleashes the focused, angry dominator routine that has always served as the selling point for his music.
King's funeral opens Never Die Alone, but his throbbing self-consciousness drives it.
Ernest Dickerson's Goth-like vision of this troubling tale about the dark side of human nature encapsulates the film noir genre.
The only good thing about Never Die Alone is its rap-retro soundtrack.
Exploitative, obvious, redundant, didactic, misogynistic -- those adjectives were invented to describe amateur-hour projects like Never Die Alone.
[A]ll flashy visual angst and, despite its literary pretensions, utterly inconsequential, if bloated with a fervent desire to be seen as Art.
Moral scolds will undoubtedly decry this as just another violent rap movie, but much like that Jesus flick they're all digging, this... shows the harsh consequences of sin
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