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The New World (2005)
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Reviews Counted: 164
Fresh: 99
Rotten:65
Average Rating: 6.6/10
Consensus: Despite arresting visuals and strong lead performances, The New World suffers from an unfocused narrative that will challenge viewers' attention spans over its 2 ½ hours.
Runtime: 2 hrs 51 mins
Genre: Dramas
Theatrical Release: 2005-Fall
Box Office: $12,465,566
Synopsis: " …in the beginning all the World was America, and more so than it is now." - John Locke, Second Treatise on government (1690) The New World is an epic adventure set amid the encounter of European and Native American cultures during... " …in the beginning all the World was America, and more so than it is now." - John Locke, Second Treatise on government (1690) The New World is an epic adventure set amid the encounter of European and Native American cultures during the founding of the Jamestown settlement in 1607. Inspired by the legend of John Smith and Pocahontas, acclaimed filmmaker TERRENCE MALICK transforms this classic story into a sweeping exploration of love, loss and discovery, both a celebration and an elegy of the America that was…and the America that was yet to come. Against the dramatic and historically rich backdrop of a pristine Eden inhabited by a great native civilization, Malick (Badlands, Days of Heaven, The Thin Red Line) has set a dramatized tale of two strong-willed characters, a passionate and noble young native woman and an ambitious soldier of fortune who find themselves torn between the undeniable requirements of civic duty and the inescapable demands of the heart. In the early years of the 17th century, North America is much as it has been for the previous five thousand years—a vast land of seemingly endless primeval wilderness populated by an intricate network of tribal cultures. Although these nations live in graceful harmony with their environment, their relations with each other are a bit more uneasy. All it will take to upset the balance is an intrusion from the outside. One is not long in coming. On a spring day in April of 1607, three diminutive ships bearing 103 men sail into this world from their unimaginably distant home, the island kingdom of England, three thousand miles to the east across a vast ocean. On behalf of their sponsor, the royally chartered Virginia Company, they are seeking to establish a cultural, religious, and economic foothold on the coast of what they regard as the New World. The lead ship of the tiny flotilla is called the Susan Constant. Shackled below decks in her brig is a rebellious 27-year-old named John Smith (COLIN FARRELL), sentence and destined to be hanged for insubordination as soon as the ship reaches land. A veteran of countless European wars, Smith is a soldier of fortune…though fortune has often turned its back on him. Still, he is too talented and popular to have his neck stretched by his own people, and so he is freed by Captain Christopher Newport (CHRISTOPHER PLUMMER) soon after the Susan Constant drops anchor. As Captain Newport knows—and the colonists will soon discover—surviving in this unknown wilderness will require the services of every able-bodied man…particularly one of Smith's abilities. Though they don't realize it at the time, Newport and his band of British settlers have landed in the midst of a sophisticated Native American empire ruled by the powerful chieftain Powhatan (AUGUST SCHELLENBERG). To the colonists, it may be a new world. But to Powhatan and his people, it is an ancient world—and the only one they have ever known. The English, strangers in a strange land, struggle from the beginning, unable—or, in some cases, stubbornly unwilling—to fend for themselves. Smith, searching for assistance from the local tribesmen, chances upon a young woman who at first seems to be more woodland sprite than human being. A willful and impetuous young woman whose family and friends affectionately call her "Pocahontas"—or "playful one"—she is the favorite of Powhatan's children. Before long a bond develops between Smith and Pocahontas (Q'ORIANKA KILCHER in her feature starring debut), a bond so powerful that it transcends friendship or even romance—and eventually becomes the basis of one of the most enduring American legends of the past 400 years. --© New Line Cinema [More]
Starring: Colin Farrell, Q'Orianka Kilcher, Christopher Plummer, August Schellenberg
Starring: Colin Farrell, Q'Orianka Kilcher, Christopher Plummer, August Schellenberg, Wes Studi, Raoul Trujillo, Christian Bale, Michael Greyeyes, David Thewlis, Irene Bedard, Michael Greyeyes, Jamie Harris, Joe Inscoe, Eddie Marsan, Ben Mendelsohn, Jonathan Pryce, Brian F. O'Byrne, Kalani Queypo, Noah Taylor
Director: Terrence Malick
Director: Terrence Malick
Producer: Jack Fisk
Studio: New Line Cinema
DVD Info
Reviews for The New World
From carefree nymph with long hair flying in the wind to corseted lady of restraint, Q'Orianka Kilcher's Pocahontas appeals to the free spirit in all of us. But the film is strangely uninvolving.
...the romance of the three humans is secondary to the romance of the New World itself and all it symbolizes.
[Malick's] characters must consider their lives, consider each other, and resolve the situation like adults. And when they do, a story that seemed to be irredeemably broken snaps back together.
An epic retelling of the Pocahontas story that, despite its flaws, leaves you slack-jawed with wonder at times.
The New World is a thing of wild beauty, untamed and feral yet luxurious, sumptuous and lavish all at the same time.
These whispered ruminations are beautifully written, but whose voice are we hearing?
A two-and-a-half-hour cinematic mosaic meant by Malick more as a monument to himself than to the misrepresented maiden it presumes to memorialize.
A real work of art, a hearty meal in today's cinematic fast-food culture.
ill be cheered by a relatively small, but educated and curious contingent of ticket buyers.
Unfortunately, when you try to bring everything together, it’s hard to tell what Malick is trying to get at.
Malick's script reinforces some of the unlikely myths like Mataoaka's romance with John Smith and Mataoaka dramatically risking her life to save Smith's life. But like most Malick films it is also a finely painted portrait showing the smallness of man in
One thing you have to give Malick credit for: He certainly marches to a different drummer, even if it’s one that only he can hear, and he never meets an audience even halfway.
Self-indulgent sludge dressed up as shimmering historical aesthetics--and paced as briskly as a swim across the Atlantic.
There are so many mysteries in this film, and Malick's greatest achievement was to suggest them without forcing answers on us.
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