Director Scott Hicks is unable to capture the magic of the original, and Aaron Eckhart is miscast as the sous-chef who disturbs the culinary-driven predictability of Catherine Zeta-Jones' kitchen.
No Reservations (2007)
Tomatometer
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Reviews Counted:155
Fresh:61
Rotten:94
Average Rating:5.2/10
Consensus: This romantic comedy may look good on paper, but it's too predictable and melancholy for the genre.
Runtime: 1 hr 45 mins
Genre: , Romance, Tragedy, Romantic Comedy, Food, Remake, Theatrical Release
US Box Office: $43,052,274
Synopsis: A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates... A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates everyone around her. With breathtaking precision, she powers through each hectic shift, coordinating hundreds of meals, preparing delicate sauces, seasoning and simmering each dish to absolute perfection. More at ease behind the scenes, she only leaves the sanctuary of her kitchen to accept compliments for one of her signature dishes, or, on rare occasions, to tangle with a customer who dares question her expertise. After work, most nights find her in bed before midnight, set to rise at dawn to beat her competition to the fish market for the next day's freshest selections. Kate's perfectionist nature is put to the test when a brash new sous-chef joins her staff, the high-spirited and freewheeling Nick (AARON ECKHART). A rising culinary star himself, Nick favors opera while working and loves to make everyone around him laugh. His casual approach to both life and cuisine couldn't be more different from Kate's, yet the chemistry between them is undeniable...as is the discord, like forks clanging off a granite countertop. It might be easier to deal with this turbulence at work if Kate wasn't already off-balance at home, struggling to connect with her nine-year-old niece, Zoe (ABIGAIL BRESLIN), who has recently--and very unexpectedly--come to live with her. A bright, perceptive child, more comfortable with fish sticks than foie gras, Zoe is clearly out of place in Kate's routine but Kate is determined to make a home for her...just as soon as she figures out how. As the weeks progress, Kate is not sure what steams her more--that Nick's talent scores big points with 22 Bleecker's owner, Paula (PATRICIA CLARKSON), and its discriminating clientele, or that his easygoing charm quickly wins over the shy Zoe, who finds it easier to open up to him than to her aunt. But when he challenges the boundary between rivalry and romance, Kate finds herself questioning, for the first time in years, some of the choices and beliefs that have made her so self-sufficient and so safe. If she wants to forge a real bond with Zoe, find happiness with Nick and rediscover her appetite for life, Kate will have to try something bold and new, and learn to express herself outside the realm of her kitchen. That would be like trying to cook without a recipe. But, as Kate discovers, sometimes the best recipes are the ones you create yourself. --© Warner Bros. [More]
Starring: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson
Starring: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson, Jenny Wade, Bob Balaban
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Sandra Nettelbeck, Carol Fuchs
Producer: Sergio Aguero, Kerry Heysen
Composer: Philip Glass
Studio: Warner Bros.
Reviews for No Reservations
Frothy but harmless bit of predictable fluff. Food looks good anyway.
Hicks directs with polite seriousness, using too many montages and too much bland dialogue.
Based on the popular German comedy Mostly Martha, it doesn't leave a bad taste. It doesn't leave much taste at all, save perhaps for the cloying echoes of Velveeta cheese.
There are moments that work, but on the whole, this production just doesn't flow well, doesn't drive, doesn't build to climax. One other hindrance: the heavy-handed score.
A sumptuous celebration of the joy of food. Scene after scene is punctuated with tantalizing glimpses of haut-cuisine delicacies and mouth-watering talk of food. My stomach growled all through the movie.
"No Reservations" is absolutely ordinary in its predictability and blandness. Don't expect any memorable performances or mouth-watering scenarios.
Catherine Zeta-Jones controls the kitchen, but can't control my attention.
Will Kate, too, fall for Nick? Only every single person watching the movie knows for sure.
This many delicious ingredients should have produced a tastier, more memorable result.
It's not exactly revolutionary territory but it is effectively presented and it will be hard to find viewers who aren't at least a little moved by what director Scott Hicks has placed on the screen.
It has the smooth, caramelized sheen of a confection that goes down easy -- but won't be too hard to forget.
No delicacies here. No Reservations is just as bland and predictable as a frozen TV dinner.
Here is a romcom that has been developed on a Petri dish in some unspeakable secret department at the Porton Down biological warfare unit, designed to release a gaseous vapour into cinemas, rendering the civilian population immobile.
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