The satisfying culinary romance No Reservations divides and conquers by making us crave the utterly attainable -- spaghetti with fresh basil -- as intensely as we do either of its unattainable leads.
No Reservations (2007)
Tomatometer
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Reviews Counted:155
Fresh:61
Rotten:94
Average Rating:5.2/10
Consensus: This romantic comedy may look good on paper, but it's too predictable and melancholy for the genre.
Runtime: 1 hr 45 mins
Genre: , Romance, Tragedy, Romantic Comedy, Food, Remake, Theatrical Release
US Box Office: $43,052,274
Synopsis: A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates... A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates everyone around her. With breathtaking precision, she powers through each hectic shift, coordinating hundreds of meals, preparing delicate sauces, seasoning and simmering each dish to absolute perfection. More at ease behind the scenes, she only leaves the sanctuary of her kitchen to accept compliments for one of her signature dishes, or, on rare occasions, to tangle with a customer who dares question her expertise. After work, most nights find her in bed before midnight, set to rise at dawn to beat her competition to the fish market for the next day's freshest selections. Kate's perfectionist nature is put to the test when a brash new sous-chef joins her staff, the high-spirited and freewheeling Nick (AARON ECKHART). A rising culinary star himself, Nick favors opera while working and loves to make everyone around him laugh. His casual approach to both life and cuisine couldn't be more different from Kate's, yet the chemistry between them is undeniable...as is the discord, like forks clanging off a granite countertop. It might be easier to deal with this turbulence at work if Kate wasn't already off-balance at home, struggling to connect with her nine-year-old niece, Zoe (ABIGAIL BRESLIN), who has recently--and very unexpectedly--come to live with her. A bright, perceptive child, more comfortable with fish sticks than foie gras, Zoe is clearly out of place in Kate's routine but Kate is determined to make a home for her...just as soon as she figures out how. As the weeks progress, Kate is not sure what steams her more--that Nick's talent scores big points with 22 Bleecker's owner, Paula (PATRICIA CLARKSON), and its discriminating clientele, or that his easygoing charm quickly wins over the shy Zoe, who finds it easier to open up to him than to her aunt. But when he challenges the boundary between rivalry and romance, Kate finds herself questioning, for the first time in years, some of the choices and beliefs that have made her so self-sufficient and so safe. If she wants to forge a real bond with Zoe, find happiness with Nick and rediscover her appetite for life, Kate will have to try something bold and new, and learn to express herself outside the realm of her kitchen. That would be like trying to cook without a recipe. But, as Kate discovers, sometimes the best recipes are the ones you create yourself. --© Warner Bros. [More]
Starring: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson
Starring: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson, Jenny Wade, Bob Balaban
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Sandra Nettelbeck, Carol Fuchs
Producer: Sergio Aguero, Kerry Heysen
Composer: Philip Glass
Studio: Warner Bros.
Reviews for No Reservations
The movie is a remake of Mostly Martha (2001), a German film very much liked by many. No Reservations doesn't seem to reinvent it so much as recycle it.
No Reservations, starring Catherine Zeta-Jones as a persnickety New York chef, makes a corned beef hash out of Mostly Martha, the much-loved 2001 German film from which it has been Hollywoodized.
A romantic comedy that does precious little with the considerable resources at its disposal.
The effort is more akin to laying a thick, sugary sauce onto what demands a more organic, natural purity.
"No Reservations" is absolutely ordinary in its predictability and blandness. Don't expect any memorable performances or mouth-watering scenarios.
This pic could make for a good date night, but renting the original would make for a better one.
It's hard to tell who's more out of element in No Reservations: the icily beautiful Catherine Zeta-Jones playing the lead in a romantic comedy, or Scott Hicks trying to direct one.
feels more like warmed-over leftovers than a gourmet meal of a movie.
Slyly sensual and succulent, it's a deliciously delectable froth in which food is the metaphor for love and life.
No Reservations is a factory-sealed romantic comedy. But the emotional details of its characters’ journeys are surprising, honest and life-size.
Watching it would have the exact same impact on you as not watching it.
I have no hard feelings toward adult-oriented escapist cinema, but there's a robotic quality to No Reservations that keeps the film from soaring.
One of those movies that just treads water, filled with obvious developments, demanding nothing.
The result is like one of those fancy frozen dinners that look so tempting in the picture on the box but turn out to be flavorless glop when you actually sink your teeth into them.
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