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Off the Black (2006)
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Reviews Counted:39
Fresh:26
Rotten:13
Average Rating:6.2/10
Consensus: While the story can be dull, Nick Nolte shines.
Synopsis: Veteran actor Nick Nolte puts his explosive personal life behind him for a while, returning to what he does best with OFF THE BLACK. Nolte stars as Ray, a weathered high-school baseball umpire... Veteran actor Nick Nolte puts his explosive personal life behind him for a while, returning to what he does best with OFF THE BLACK. Nolte stars as Ray, a weathered high-school baseball umpire whose life veered off the rails some time ago and shows no sign of getting back on track. Nolte slips into the role with consummate ease, and you can almost smell the alcohol on his breath as Ray drunkenly wheezes through the first half-hour of director James Ponsoldt's inaugural feature. Ray slumps to his lowest ebb one night as some pranksters from the high school vandalize his home, but he manages to catch one of the fleeing boys, Dave (Trevor Morgan), as he tries to escape the scene. Dave cleans up the mess in a bid to escape criminal charges, and the two men strike up an unusual friendship full of deep conversation and endless soul searching; their relationship is further developed as they attend Ray's high-school reunion, with Dave pretending to be his son. Ponsoldt provides a suitably snug small-town backdrop for Nolte and Morgan to work in, and occasionally dips into a pool of impressive supporting players--including Timothy Hutton as Dave's father and Rosemarie DeWitt as Ray's enigmatic friend--to bolster the interaction between the leads. The emotional pasts of Ray and Dave are carefully unraveled, and although the storyline is far from original, Ponsoldt's film is a worthy exercise, thanks to the impressive acting and interplay from Nolte and Morgan. [More]
Starring: Nick Nolte, Trevor Morgan, Timothy Hutton, Noah Fleiss
Starring: Nick Nolte, Trevor Morgan, Timothy Hutton, Noah Fleiss, Sally Kirkland
Director: James Ponsoldt
Director: James Ponsoldt
Screenwriter: James Ponsoldt
Producer: Scott Macauley
Studio: ThinkFilm
Reviews for Off the Black
The movie is so restrained, and holds back so much on conventional plot and characterization, that its emotional impact is severely blunted.
Although Nolte gives a thoroughly masterful performance, one great actor is never enough. Film, like baseball, is a team sport.
It's a baseball drama/comedy that relies on Nick Nolte to not only hit a home run but pitch a shutout.
Writer-director James Ponsoldt's film treats big subjects -- loneliness, coming-of-age and father-son relationships -- with such half-baked conviction, it's a wonder the screen doesn't redden with embarrassment.
Sometimes a movie pretends to be more than it is. In this case, it pretends to be good.
The material is awfully familiar, and first-time director James Ponsoldt paces the entire 90 minutes so slowly that you might think he's talking about chess rather than baseball.
The story's lack of freshness is partially counterbalanced by solid acting and effective character development but, in the end, Off the Black fails to leave an impact.
If your film is as downbeat and deflated as this one, you had better be leading up to a more interesting insight than, 'The older I get, the more I know that I don't know anyone.'
Nick Nolte's grizzled, alcoholic recluse mentors Trevor Morgan's unhappy teen in Off the Black, a heartwarming tale that's been told a thousand times before, and with considerably more spark.
Playing a cantankerous, beer-swigging human wreck of a man for the umpteenth time, Nolte is very good but very familiar.
Despite some nice touches, this is the sort of too-precious indie film that gives its characters unnecessary quirks (like diabetes) to make them more 'real'.
"Off the Black" is writer/director James Ponsoldt's first movie...When I found out how young Ponsoldt is, only twenty-six, I was shocked that someone so young could have such insight into, and such empathy for, the existential disquietude of middle age.
A modest drama fueled by Nick Nolte's gutsy lead performance as a disheveled 57-year-old junkyard proprietor who's been as flattened by life as the rusty old cars he crushes.
Just 'off the black' is a baseball term for a pitch that's a fraction off from being a really good strike. Same here, this movie is just a fraction off from being a really good film.
Throughout the film, there is a sense that the actors know a lot about these characters and that they believe in them. The result is a movie that we believe in, no matter where it goes.
Ponsoldt's debut is full of quiet heartache, and effectively establishes a consistent melancholy tone. And Nolte is exceptional.
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