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One False Move (1992)
Tomatometer
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Reviews Counted:24
Fresh:24
Rotten:0
Average Rating:8.5/10
Synopsis: African-American director Carl Franklin's ONE FALSE MOVE presents itself as a crime thriller, but upon deeper inspection reveals itself to be a thought-provoking drama concerning racism and racial... African-American director Carl Franklin's ONE FALSE MOVE presents itself as a crime thriller, but upon deeper inspection reveals itself to be a thought-provoking drama concerning racism and racial identity. After stealing a large stash of cocaine and brutally murdering several people in the process, two Los Angeles outlaws--the intelligent Pludo (Michael Beach), an African-American, and the psychopathic redneck Ray (Billy Bob Thornton)--hit the road with Ray's biracial girlfriend Fantasia (Cynda Williams). Thinking that the killers might be headed to Ray and Fantasia's hometown of Star City, Arkansas, two L.A.P.D. detectives travel there to await their arrival. They're greeted by "Hurricane" Dixon (Bill Paxton), the town's energetic police chief, who looks up to them as if they're superheroes. When Pludo and Ray stop in Texas to sell their drugs, Fantasia continues on alone to Star City where she intends to reunite with her 5-year-old son. Once there, Hurricane tracks her down and she challenges him to confront the secret of their shared past, jeopardizing his marriage and career in the process. By the time Ray and Pludo arrive, a showdown forces Hurricane to draw his gun for the first time in his life. Billy Bob Thornton and Tom Epperson's intelligent script makes ONE FALSE MOVE a superior and complex drama that works on many levels. [More]
Starring: Bill Paxton, Billy Bob Thornton, Michael Beach, Cynda Williams
Starring: Bill Paxton, Billy Bob Thornton, Michael Beach, Cynda Williams, Jim Metzler, Earl Billings, Natalie Canerday
Director: Carl Franklin
Director: Carl Franklin
Screenwriter: Billy Bob Thornton, Tom Epperson
Producer: Jesse Beaton, Ben Myron
Reviews for One False Move
Carl Franklin tackles American anxieties--interracial love, guilt and denial--that have been mostly ignored, showing mature understanding of his conflicted characters and of the dichotomies of city and country, black and white, male and female.
One of those low-rent indie cop-noir movies that rises above thanks to some good writing and casting
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