The Orphanage goes beyond the superficialities of the average horror movie to delve into more important themes, such as grief and guilt.
The Orphanage (2007)
Tomatometer
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Reviews Counted:149
Fresh:128
Rotten:21
Average Rating:7.3/10
Consensus: When it seems like every horror movie nowadays is a remake or a grisly exercise in sadism, The Orphanage is a breath of fresh air for critics and audiences alike, seamlessly blending in a poignant tale of loss with the scares and blood.
Runtime: 1 hr 45 mins
Genre: Horror/Suspense
US Box Office: $6,905,218
Synopsis: It might come as no surprise that the producer of the Spanish supernatural thriller THE ORPHANAGE is none other than Mexican director Guillermo Del Toro (PAN'S LABYRINTH, THE DEVIL'S BACKBONE), for... It might come as no surprise that the producer of the Spanish supernatural thriller THE ORPHANAGE is none other than Mexican director Guillermo Del Toro (PAN'S LABYRINTH, THE DEVIL'S BACKBONE), for his influence is felt greatly throughout the picture. Made by an entire crew of newcomers--director Juan Antonio Bayona, screenwriter Sergio G. Sanchez, director of photography Oscar Faura, composer Fernando Velazquez--THE ORPHANAGE is an extremely accomplished work. The story concerns Laura (Belen Rueda), who has returned with her husband Carlos (Fernando Cayo) and adopted child Simon (Roger Princep) to the large manor where she was raised in an orphanage as a child. Laura is determined to fix up the abandoned house and open it as a refuge for ill children. But from the moment she returns, the past begins to haunt her. It isn't long before she begins to see the children who she used to play with as a seven-year-old. And when Simon goes missing one afternoon, she's convinced that they have taken him hostage. What follows is a murky descent into Laura's mind, where she doesn't know what is real and what is a figment of her tortured imagination. Bayona brings Sanchez's complex script to life with the help of Faura's haunting imagery and Valazquez's atmospheric score. But what makes THE ORPHANAGE an even greater achievement is its insistence on being more than just a superficial scare-fest. Bayona and Sanchez are more interested in deeper themes of memory, loss, and grief, establishing Laura as a mother who feels guilt over not being able to protect her child from outside forces. The result is a film that is both unsettling and moving. [More]
Starring: Belen Rueda, Fernando Cayo, Geraldine Chaplin
Starring: Belen Rueda, Fernando Cayo, Geraldine Chaplin
Director: Juan Antonio Bayona
Director: Juan Antonio Bayona
Screenwriter: Sergio G. Sanchez
Producer: Guillermo Del Toro
Composer: Fernando Velazquez
Studio: Picturehouse
Reviews for The Orphanage
The Orphanage is a visceral and well-crafted horror film that goes for the heart as well as the mind.
The film’s writer and director (both first-timers under the patronage of Pan’s Labyrinth ace Guillermo del Toro) both excel themselves at using familiar scary tricks to bring about totally unforeseen shocks.
It touches on primal stuff in terms of childhood, motherhood and the unknown.
As horror films go, this sits firmly at the classy end of the spectrum.
The Orphanage is all about atmosphere and giving audiences the heebie-jeebies. And on that level, it really works.
Invisible friends, evil spirits and strange occurrences form part of the threads of this acclaimed %u2026 stylish and subtle film whose imagery lingers
The Orphanage takes audiences on an eerie, involving and ultimately extremely moving journey into the underworld.
Since mainstream American horror's devolution... you have to tip your hat whenever an import attempts to maintain suspense and atmosphere instead, even when said import is an obvious retread.
Sanchez and Bayona never lose sight of the requirements of the genre, providing plenty in the way of seat-gripping tension and finding suitable shocks in the everyday.
When I first saw The Orphanage, I found it an overly clinical genre exercise whose sentimental moments felt forced, but it will also plant roots in your subconscious and linger there for weeks.
The film is less of a shocker than an adventure in anxiety, testing and twisting some of the classic studies in infantile curiosity.
An astoundingly well-made debut - even if The Orphanage is ultimately as empty as it is haunted.
The Orphanage is a thinking person's ghost story. It builds slowly and pays off stunningly.
Bolstered by cinematic atmosphere so ripe you can practically pick it and eat it, The Orphanage is a deliriously delicious creep out.
The Orphanage (El Orfanato) is the rare horror film that breaks your heart even as it makes it race.
In a genre that has been battered by the cheap grotesqueries of special effects, it is a pleasure to be unsettled by something as simple as an invasive beam of light in the shadows of a haunted house.
It's a ghoulish page ripped from del Toro's recognizable cinema handbook, and while highly effective at times, the film suffers from red light/green light pacing, which eventually robs this eerie picture of ultimate disturbance.
Latest News for The Orphanage
January 04, 2010:
Mark Pellington Moves into New Line's Orphanage Remake ![]()
Mark Pellington, director of "The Mothman Prophecies," has been hired to helm Warner Bros.' English-language remake of Juan Antonio Bayona's "The Orphanage." More...
August 05, 2009:
Fessenden Signs on for Orphanage Remake ![]()
New Line's remake of "The Orphanage" has got itself a director: Larry Fessenden, who has written the script with producer Guillermo del Toro. More...
May 15, 2009:
Orphanage Duo Reunites for "Powerful Story" ![]()
Juan Antonio Bayona and Sergio Sanchez, the director and screenwriter of "The Orphanage," are reteaming on what looks set to be Bayona's second film. More...
March 12, 2009:
Bayona Set for Third Twilight Movie ![]()
Summit Entertainment has announced that Spanish director Juan Antonio Bayona ("The Orphanage") will direct "Eclipse," the third installment in the "Twilight" series. More...
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