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Paper Moon (1973)
Tomatometer
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Reviews Counted:22
Fresh:21
Rotten:1
Average Rating:8.6/10
Synopsis: The romantic films of the 1930s and '40s influenced director Peter Bogdanovich (THE LAST PICTURE SHOW, MASK) in PAPER MOON, a masterpiece influenced by the filmmaking of those periods --a classic... The romantic films of the 1930s and '40s influenced director Peter Bogdanovich (THE LAST PICTURE SHOW, MASK) in PAPER MOON, a masterpiece influenced by the filmmaking of those periods --a classic comedy drama that resembles the films of John Ford or Sam Wood. Moses Pray (Ryan O'Neal) is a happy-go-lucky con man traveling throughout the Midwest during the Great Depression, conning widows into buying Bibles. Stopping in a small town for a friend's funeral, he is persuaded to deliver the deceased's precocious 10-year-old daughter, Addie Loggins (Tatum O'Neal, Ryan's real-life daughter), to her aunt's home. The resemblance between Moses and Addie--who never knew her father--is uncanny, and the two are soon acting like father and daughter as they travel the back roads of heartland America. Despite his initial misgivings, Moses is delighted to find that Addie is a boon to business, catching on quickly and adding her own twists to his favorite cons. Madeline Kahn stars as Trixie Delight, a ladyfriend Moses meets along the way--a situation that brings out Addie's possessive side. Bogdanovich convincingly recreates the feel and look of the 1930s with his nostalgic look at life on the open road. The film was nominated for four Academy Awards, including Best Screenplay; both Kahn and the 11-year-old O'Neal were nominated for Best Supporting Actress, which O'Neal won. [More]
Starring: Ryan O'Neal, Tatum O'Neal, Madeline Kahn, John Hillerman
Starring: Ryan O'Neal, Tatum O'Neal, Madeline Kahn, John Hillerman, James N. Harrell, Noble Willingham, Jessie Lee Fulton, P. J. Johnson, Randy Quaid, Burton Gilliam
Director: Peter Bogdanovich
Director: Peter Bogdanovich
Producer: Peter Bogdanovich
Reviews for Paper Moon
Like Bogdanovich's masterpiece, Last Picture Show, this film is at once an evocation of childhood in a specific time and place (story is inspired by a Shirley Temple vehicle) and a commentary on it. Remarkably shot in b/w by ace lenser Laszlo Kovac.
The O'Neals are great together, equalled by cinematography, story, direction, acting by all.
The film's documentary feel meshes perfectly with the sweet cynicism of the characters.
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