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Paranoid Park

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Paranoid Park (2008)

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Reviews Counted:109

Fresh:82

Rotten:27

Average Rating:6.8/10

Consensus: Director Gus Van Sant once again superbly captures the ins and outs of teenage life in Paranoid Park, a quietly devastating portrait of a young man living with guilt and anxiety.

Australian Rating: M [See Full Rating] Disturbing image, themes, sexual references, and coarse language

Runtime: 85 mins

Genre: Dramas

Australian Theatrical Release:
Mar 6, 2008 Wide

US Box Office: $241,672

Synopsis: While Gus Van Sant's PARANOID PARK is in keeping with the atmospheric work of the films in his previous "death trilogy" (GERRY, ELEPHANT, LAST DAYS), this time around he's working from a more... While Gus Van Sant's PARANOID PARK is in keeping with the atmospheric work of the films in his previous "death trilogy" (GERRY, ELEPHANT, LAST DAYS), this time around he's working from a more conventional narrative to capture the awkwardness and pressures of adolescence. The result is a work of breathtakingly personal cinema--intimate, beautiful, and moving. Based on the novel by Blake Nelson, PARANOID PARK tells the troubled story of Alex (Gabe Nevins), a Portland high school student who loves to skateboard. But after accidentally causing the death of a security guard, Alex must come to terms with the guilty feelings that are threatening to overwhelm him. Unable to tell anyone what has happened, including his best friend, Jared (Jake Miller) and his nagging girlfriend, Jennifer (Tayler Momsen), he keeps it all inside at the risk of imploding with guilt. Van Sant is an impressionistic and deeply sensitive director. His decision to work with acclaimed cinematographer Christopher Doyle (FALLEN ANGELS, IN THE MOOD FOR LOVE) pays off immeasurably, as Doyle combines naturalistic full-frame 35mm with grainy super-8 to create a lush, moody atmosphere. As usual, Van Sant's sonic tastes are impeccable. He once again employs the music of Elliott Smith to great effect, contrasting Smith's heartbreaking songs with slow-motion imagery, further establishing a sense of confusion and loss. The cast, all recruited from the social networking website MySpace, are more than serviceable, yet it is Nevins who steals the show. His Alex is a likeable figure to whom the audience can relate, further personalizing an already intimate tale. PARANOID PARK is a gorgeous, unforgettable tone poem that captures the myriad complexities of teenage life. [More]

Starring: Gabe Nevins, Taylor Momsen, Jake Miller, Dan Liu

Starring: Gabe Nevins, Taylor Momsen, Jake Miller, Dan Liu, Lauren McKinney, Scott Green

Director: Gus Van Sant

Director: Gus Van Sant
Screenwriter: Gus Van Sant
Producer: Marin Karmitz, Nathanael Karmitz
Studio: IFC Films

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Reviews for Paranoid Park

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41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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For those able to tune in to its peculiar wavelength this deceptively simple film will prove another strangely profound [Van Sant] experience.

Full Review Source: One Guy's Opinion | comment Comment
03/20/08
Frank Swietek
Frank Swietek
One Guy's Opinion

Even something as modest as Paranoid Park manages to reflect Van Sant's greatest strengths as an artist: his seemingly limitless fluency with his chosen medium and his willingness to tell even the oldest stories in bold new ways.

Full Review Source: Washington Post | comment Comment
03/20/08
Ann Hornaday
Ann Hornaday
Washington Post
Top Critic Icon Top Critic

Paranoid Park, while still off the beaten path, is less self-absorbed and pretentious than anything Van Sant has crafted since Finding Forrester.

Full Review Source: ReelViews | comment Comment
03/20/08
James Berardinelli
James Berardinelli
ReelViews

Yup, Van Sant is in trance mode again, and he hasn't adapted Blake Nelson's novel so much as shattered it into a hypnotic drift of alienation and reverie. The movie haunts.

Full Review Source: Philadelphia Weekly | comment Comment
03/19/08
Sean Burns
Sean Burns
Philadelphia Weekly

There's not enough story here... and the moodiness is of a type that doesn't speak to me...

Full Review Source: Flick Filosopher | comment Comment
03/18/08
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

Yet another movie about misunderstood teenage skateboarders.

Full Review Source: Ebert & Roeper | comment Comment
03/17/08
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

The film is told in bursts of flashback, flash forward and even flash sideways all framed in a dream-world sense. The slow-motion theatrics of skater tricks are particularly beautiful and almost a flight from the reality of the cruel teen years.

Full Review Source: HollywoodChicago.com | comment Comment
03/15/08
Adam Fendelman
Adam Fendelman
HollywoodChicago.com

Hardly a walk in the park, this powerful journey is one of Van Sant's darkest. Grips the viewer in a vice of guilt that gets tighter to the point of strangulation. A dark and gripping masterpiece.

Full Review Source: Monsters and Critics | comment Comment
03/15/08
Ron Wilkinson
Ron Wilkinson
Monsters and Critics

This isn't mallrat Crime and Punishment; it's Accident and Inertia, structured by Alex's attempt to capture his feelings in a journal.(He's more verbose than introspective.)

Full Review Source: I.E. Weekly | comment Comment
03/15/08
Amy Nicholson
Amy Nicholson
I.E. Weekly

For some of the way, it seems like a kind of skateboard whodunit. Soon enough, we understand it's much more than that. And by then, we know we're in for a ride to remember.

Full Review Source: San Francisco Chronicle | comment Comment
03/14/08
David Wiegand
David Wiegand
San Francisco Chronicle

Youth and death meet again in Gus Van Sant’s Paranoid Park, a gorgeously stark, mesmerizingly elliptical story told in the same lyrical-prosaic style that has characterized his latest films.

Full Review Source: Los Angeles Times | comment Comment
03/14/08
Carina Chocano
Carina Chocano
Los Angeles Times
Top Critic Icon Top Critic

It's always exciting when a film that plays with cinematic language can squeeze in among the flotsam and jetsam of repetitive mediocrity.

Full Review Source: Dallas Morning News | comment Comment
03/14/08
Chris Vognar
Chris Vognar
Dallas Morning News

Paranoid Park, the new Gus Van Sant movie, is slight but fascinating.

Full Review Source: Boston Globe | comment Comment
03/14/08
Wesley Morris
Wesley Morris
Boston Globe

In the space of 78 minutes, Mr. Van Sant and his cinematographer, the peerless Christopher Doyle, manage to suffuse that state with haunting sadness, ubiquitous danger, pulsing power and flickers of hope.

Full Review Source: Wall Street Journal | comment Comment
03/14/08
Joe Morgenstern
Joe Morgenstern
Wall Street Journal
Top Critic Icon Top Critic

Van Sant has made his best film in many years. I didn't realize it until a second viewing. These things sometimes happen, especially if the first encounter was in the middle of a film festival.

Full Review Source: Chicago Tribune | comment Comment
03/14/08
Michael Phillips
Michael Phillips
Chicago Tribune

Paranoid Park is graced with those peculiar Van Sant touches of discovery and absurdity, delightful because they're at once so right and so inscrutable.

Full Review Source: Chicago Sun-Times | comment Comment
03/14/08
Jim Emerson
Jim Emerson
Chicago Sun-Times
Top Critic Icon Top Critic

Stands at the midway point in its auteur's recent filmography, displaying both the strengths and weaknesses of his recent stylistic choices.

Full Review Source: The Deadbolt | comment Comment
03/14/08
Brian Tallerico
Brian Tallerico
The Deadbolt

Van Sant's teens are angels slowly sullied by a demonic world.

Full Review Source: LarsenOnFilm | comment Comment
03/14/08
Josh Larsen
Josh Larsen
LarsenOnFilm

A vivid, powerful attempt to get close to one boy's tortured soul.

Full Review Source: Combustible Celluloid | comment Comment
03/13/08
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Like Elephant, it's a triumph of style and mood over story.

Full Review Source: Los Angeles CityBeat | comment Comment
03/13/08
Andy Klein
Andy Klein
Los Angeles CityBeat
 
 
41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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